A Quote by Gene Hill
I can't imagine living in a house without a couple of dogs. If I ever got out of bed at night and didn't have to step over a Labrador or two or three, or move one off the covers so I could turn over, my nights would be more restless and the demons that wait in the dark for me would be less easily fended.
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It's like aversion therapy. You keep doing scenes over and over again with three women in the bed with you, and we had to do them all in one week. Three girls would step out and another three girls would step into the bed. It sounds like a fantasy but by the end of it, I just wanted to go for a hike on my own in the north of England, in the hills. Because it became a sort of "be careful what you wish for" kinda thing.
When I was younger, I would set up Grammy parties at my house where I would invite all of my friends over, and my whole family would sit in the living room glued to the TV. But I would just dream of someday going there, and I would watch the red carpet interviews over and over and study what was happening.
When I was a kid, I used to be afraid of the dark. I would stand at my door, turn the light off and dive into bed. One night, as I did that, there was this gigantic spider next to my pillow. I hit the bed and bounced straight back up When I turned the light back on, it was already gone. I could not sleep in my room for days.
And suddenly it didn't seem to matter any more, nothing would matter if she could turn over, turn over and see the stars, turn over and look once and die.
Jim eyed me for a couple of seconds, then got off the bed and went to curl up on the pile of blankets I'd arranged as its bed. "I don't suppose you'd care to lend me a couple hundred euros?" I pointed at the wall. It turned its back to me so I could get into the nightgown Perdita had lent me. "You are not going to bet on me. Or against me. No betting whatsoever. Got that?" Jim huffed and settled down for the night. "You sure do know how to take all the fun out of life. Bet you even made Drake use a condom.
The only thing that I would say to anyone doing late night shows is - it took me a couple years then - but when you leave the studio, it's over. That's what you really have to do. After a long time, I would be like, "Maybe I shouldn't have said this," or "Maybe I shouldn't have shown this." But eventually, I got to, "Ah, f - k it." That's what it was that night, tomorrow's the next night.
All this new stuff goes on top turn it over, turn it over wait and water down from the dark bottom turn it inside out let it spread through Sift down even. Watch it sprout. A mind like compost.
Chyerti—that’s us, demons and devils, small and big—are compulsive. We obsess. It’s our nature. We turn on a track, around and around; we march in step; we act out the same tales, over and over, the same sets of motions, while time piles up like yarn under a wheel. We like patterns. They’re comforting. Sometimes little things change—a car instead of a house, a girl not named Yelena. But it’s no different, not really. Not ever.
Others would say to me, 'It is only temporary, it will pass, you will get over it,' but of course they had no idea how I felt, although they were certain that they did. Over and over and over I would say to myself, If I can't feel, if I can't move, if I can't think, and I can't care, then what conceivable point is there in living?
sometimes i'd wake up at two or three in the morning and not be able to fall asleep again. i'd get out of bed, go to the kitchen, and pour myself a whiskey. glass in hand, i'd look down at the darkened cemetary across teh way and the headlights of the cars on the road. the moments of time linking night and dawn were long and dark. if i could cry, it might make things easier. but what would i cry over? i was too self centered to cry for other people, too old to cry for myself.
Because we would not wear any clothes because it was so hot and the windows open and the swallows flying over the roofs of the houses and when it was dark afterward and you went to the window very small bats hunting over the houses and close down over the trees and we would drink capri and the door locked and it hot and only a sheet and the whole night and we would both love each other all night in the hot night in Milan. That was how it ought to be.
LITTLE DOGS RHAPSODY IN THE NIGHT (PERCY THREE) He puts his cheek against mine and makes small, expressive sounds. And when I'm awake, or awake enough he turns upside down, his four paws in the air and his eyes dark and fervent. Tell me you love me, he says. Tell me again. Could there be a sweeter arrangement? Over and over he gets to ask it. I get to tell.
I was changing a light bulb over Groucho Marx's bed, so I took my shoes off, got on his bed and changed the bulb. When I got off the bed he said: 'That's the best acting you've ever done.'
I was changing a light bulb over Groucho Marx's bed, so I took my shoes off, got on his bed and changed the bulb. When I got off the bed he said: 'That's the best acting you've ever done.
Over the years, I've always had one Labrador and usually two. I've had some great dogs, and I've had some dogs that didn't work out. I found them good homes and gave them away.
Growing up, I didn't have any comic books, at all. But my friend had a trunk full of them, so comic books were like candy for me. I would go over to his house for a sleep-over, and I would just be devouring everything I could get my hands on. I knew the sleep-over was going to be over, and I was going to go back to my house and it was going to be Kipling.
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