A Quote by Gene Kelly
In film, a dancer should always be shot from head to toe, because that way you can see the whole body and that is the art of dancing. Nowadays they shoot the nose. Left nostril. Right nostril. Hand. Foot. Bust. Derrière. The film prevents you from determining who is a good dancer and who is not.
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I tell you, the old-fashioned doctor who treated all diseases has completely disappeared, now there are only specialists, and they advertise all the time in the newspapers. If your nose hurts, they send you to Paris: there's a European specialist there, he treats noses. You go to Paris, he examines your nose: I can treat only your right nostril, he says, I don't treat left nostrils, it's not my specialty, but after me, go to Vienna, there's a separate specialist there who will finish treating your left nostril.
Whether you are a skater or a dancer, without sounding narcissistic, it is all about looking in the mirror. Where I used to practice in New York City, there was a mirror so you could actually watch yourself skate. And nowadays my golf teacher will film me swinging so I can see what I am doing. Having looked first at myself and my own body for so long as one does as a dancer and a skater, it was so natural to do fashion.
I'm not the most confident dancer, to be honest. Dancing on film was very difficult for me because you can see it after it's been done.
I`m basically a hoofer, a tap dancer. I was always very good from the waist down, moving with the feet... I became what`s known as a total dancer, using the entire body in order to express what you want to express in tap dancing and line.
Observe the reality as it is. As it is, not as you wish it to be. Perhaps your breath is deep. Perhaps your breath is shallow. Perhaps you breathed in through the left nostril. Perhaps you breathed in through the right nostril. It makes no difference.
Dancing is a very living art. It is essentially of the moment, although a very old art. A dancer's art is lived while he is dancing. Nothing is left of his art except the pictures and the memories--when his dancing days are over.
Arya, What are you doing?" "Syrio says a water dancer can stand on one toe for hours." Her hands flailed at the air to steady herself. Ned had to smile. "Which toe?" he teased. "ANY toe," Arya said, exasperated with the question. She hopped from her right leg to her left, swaying dangerously before she regained her balance. "Must you do your standing here?" he asked. "It's a long hard fall down these steps." "Syrio says a water dancer NEVER falls.
I had cartilage sticking out my nose. I couldn't breathe out of my left nostril.
A good dancer changes the way dancing was thought after he left the floor.
When I say I can see through clothes, sometimes I try to use it as an X-ray vision to look into the dancer and see who this dancer is right now, at this exact moment in time. I live inside them in a way.
Still, I started as a group dancer and became known to the public as a dancer. So, dancing will always remain close to my heart.
I like to say, 'Once a dancer, always a dancer.' In everything - the way you walk, the way you move, the way you talk, the way you sit - everything is just, you've been trained a certain way your whole life, so it's a bit muscle memory.
As a dancer, you really try to stay true to whatever the choreographer/artistic director is giving you. So, now the shoe is on the other foot and I have to trust everyone else - I have to trust the dancer. As I was trusted as a dancer, I trust my dancers.
I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.
When they do let them sustain on screen from head to toe, though, then you know they must think the person is a good dancer.
We are somewhat amused by the hysteria manifest in the press at the suggestion by Gordon Liddy that if one is menaced by bad guys (particularly the ninja) one is wise to shoot for the head. That statement has got a whole bunch of journalists and commentators bleeding from the nose. One wonders why it should. Where else should you shoot a man if he is probably wearing an armored vest? If you decide to shoot you have made the big decision. Where you place your shot is merely a technical matter.
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