A Quote by Gene Kelly

I didn't want to be a dancer. I just did it to work my way through college. But I was always an athlete and gymnast, so it came naturally. — © Gene Kelly
I didn't want to be a dancer. I just did it to work my way through college. But I was always an athlete and gymnast, so it came naturally.
I didn't want to be a dancer... I just did it to work my way through college. But I was always an athlete and gymnast, so it came naturally.
I was always known as that stocky, muscular, powerful, short, athlete. People always wondered if I was on steroids, and it was because I wasn't that long and lean, flexible, artistic gymnast. It didn't affect me too much but it got to the point where I tried to be that long and lean gymnast, and it just wasn't possible.
I'm obviously always interested in the dancer who's an athlete and vice versa. I expect dancers to be in condition like an athlete is and to challenge themselves in the same way, to the same physical degree.
No athlete ever ends his or her career the way you want to. We all want to play forever. But it doesn't work that way. Accepting the end gracefully is part of being a professional athlete.
I like to say, 'Once a dancer, always a dancer.' In everything - the way you walk, the way you move, the way you talk, the way you sit - everything is just, you've been trained a certain way your whole life, so it's a bit muscle memory.
I sang barber shop harmony and sort of got into performing. And it just came naturally. Then, when I was in college after the war, I did a play, 'Pygmalion,' by George Bernard Shaw. And from then on, I knew that's what I wanted to do.
I was enough of an acrobat and a gymnast and a dancer and everything else so that I could handle the kung fu, because it's just choreography.
Young dancers are training at a very vulnerable time in their lives, through adolescence, and while they are trying to work out who they are as people, never mind as a dancer. So train the whole person, not just the dancer.
Mads [Mikkelsen] and I have a really epic brawl - a week shoot, lots of rehearsal - and he was just delightful. He's a dancer and a gymnast so he knows how to plant the moves. He was always saying, "Are you okay?" When you've got that level of mutual consideration you form a family very quickly.
I've always been extremely physical. I was a gymnast for 15 years, and then I was a dancer for nine, so I was kind of looking for these parts. But we have a tendency in Denmark not to do many action films.
The physical DNA has always been part of our family. My dad was a good boxer and gymnast; my mum is a ballroom dancer, and my brother does martial arts.
But now - look, I have to take care of myself. I work out every day. I'm a dancer. I've always been an athlete, and I'm one of those people who start to go crazy if they don't run or do something.
I'm not an athlete, and I'm not a gymnast, but I've always loved any type of sport and fitness, and I love running Tough Mudder or Spartan races and anything that's strength.
I'm going to become like a gymnast. I watch online, on Instagram, these gymnast influencers, and that's where I want to get.
I came up in a small town ghetto and I never did think I'd be a celebrity or famous athlete, I was just loving to play the game of basketball. And I worked hard at everything I did.
A good athlete can enter a state of body-awareness in which the right stroke or the right movement happens by itself, effortlessly, without any interference of the conscious will. This is a paradigm for non-action: the purest and most effective form of action. The game plays the game; the poem writes the poem; we can't tell the dancer from the dance. It happens when we trust the intelligence of the universe in the same way that an athlete or a dancer trusts the superior intelligence of the body.
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