A Quote by Gene Luen Yang

Religion and culture are two important ways in which we as humans find our identity. That's certainly true for me. — © Gene Luen Yang
Religion and culture are two important ways in which we as humans find our identity. That's certainly true for me.
I think our culture right now is a culture that's trying to find itself. They're trying to figure out what is it? Is it social media followers? Is it trying to be popular? Is it money? Is it fame? Is it power? They're searching for identity and so many of us have been there, and we'll get back to that place of what is our identity? Who are we? More importantly, whose are we? For me, I find my identity in a relationship with Christ.
Humans are particularly interesting; our culture is incredible, there's no doubt about that. In many respects, no other species matches ours. But in quite a few respects, they do, and that can help us, perhaps, to better understand our own culture. We look at the ways humans are similar to other animals, and at the ways they differ, rather than just saying, "We have culture and you don't."
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
True peace must be anchored in justice and an unwavering commitment to universal rights for all humans, regardless of ethnicity, religion, gender, national origin or any other identity attribute.
In France, we have laïcité, which means that atheism is almost our state religion. But I think a very important part of Western culture is in the centuries when Christianism was dominant and was present in almost all works of art - not only liturgical works, but also literature and music. Yes, it's important to have that in our present. It doesn't mean that people have to adhere to a dogma or practice a religion, but it's part of our heritage, and you have to at least try to understand it. Otherwise you can't be a modern person.
Staying true to my vision, to the word as it comes to me, to my own aesthetic judgments, even when they disagree with the majority culture, is very important to me, and I think important for every artist. It's what we have: our voice, our intuition, the truth as we understand and know it.
... this idea, that humans are essentially weak creatures, is actually deeply woven into a lot of the ways in which humans think about our bodies.
????? ????? ??????? Our fight - the fight is against ISIS as an entity, as an identity, and as a threat to our culture, our heritage and certainly for the minorities who it's been able to exterminate or try to enslave and others.
Any religion which will sacrifice a certain set of human beings for the enjoyment or aggrandizement or advantage of another is no religion. It is a thing which may be allowed, but it is against true religion. Any religion which sacrifices women to the brutality of men is no religion.
Though it is very important for man as an individual that his religion should be true, that is not the case for society. Society has nothing to fear or hope from another life; what is most important for it is not that all citizens profess the true religion but that they should profess religion.
They who seek religion for culture's sake are aesthetic, not religious, and will never gain that grace which religion adds to culture, because they never can have the religion.
The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our 'me' generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.
I find confidence seductive. Confidence, to me, is being happy in your own identity and not being influenced by others. I find that quite seductive because I'm a 50-50 person: in some ways I'm confident, and in some ways I'm quiet, reclusive. [I] like someone who can shake me out of that and approach me.
The thing is to understand myself: the thing is to find a truth which is true for me, to find the idea for which I can live and die. That is what I now recognize as the most important thing.
What does it mean to be an American today? The question of that is always pointing at now. It allows someone to say what lens that will be through. A lot of my work has been about identity in different ways. Part of that for me falls into the question of gender identity certainly but also about what it means to be an American theater artist.
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