A Quote by Gene Luen Yang
Superman is such an old character. He's an old character with this huge legacy behind him. And one of the awesome things about the fact that he's been around for these decades is that he's gone through these different phases.
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Superman has been my favorite character since I was six years old, and I have more comics featuring Superman than any other single character.
Superman has been around for so long; he's been around for, what, eight decades now? And he goes through these different eras where different aspects of who he is get emphasized.
As a biographer, I try to uncover the adventures and personalities behind each character I research. Once my character and I have reached an understanding, then I begin the detective work reading old books, old letters, old newspapers, and visiting the places where my subject lived. Often I turn up surprises, and of course, I pass them on.
I've been playing the same character on Supernatural for the past nine years and while that character has gone through a lot of different iterations, it's nice to step out and just do something altogether different.
When you work on a pre-existing character, when you end up getting invited to be part of a legacy character like Superman, I don't feel like it would be true to the character if all I did was go in looking to express my own voice.
It is important to get different roles and to be seen in a different light. I am an actor. To go too far one way what does that do to the character of Superman? All these things are thoughts in my head, but I'm an artist first and foremost, I guess, so there are great things out there. I've read some awesome things and if there's nothing there that I like I can always create something.
I loved Old School. I thought Old School was very different than a lot of the comedies that had come out. And that character I liked. I tried to ground him very much in reality and play him very much finding things important to him that are somewhat ridiculous.
I loved Old School. I thought Old School was very different than a lot of the comedies that had come out. And that character I liked. I tried to ground him very much in reality and play him very much [as] finding things important to him that are somewhat ridiculous.
My character is very organic and an authentic representation of who I am as a person at the time. As a 28-year-old, I'm different as a man than I was as an 18-year-old. As you grow as a human being, the character evolves.
I found very interesting - trying to separate the different facets of Superman in that way. When you're aware of how people perceive you, you can't always remain true to yourself, and that was an interesting thing for me to apply to the character as well - exploring these different facets of his personality while having certain bits of it stripped away. The arrogance of a person who would have the kind of power that Superman does - we see that in The Return of Superman. Superman is not that character, but since he has all of those powers, he has that capacity for arrogance.
I really became a hardcore Batman fan when I was eight years old. What was clear to me, the reason I liked him better than Superman or Spider-Man or the Hulk or whoever, was the fact that he was human, and I could identify with him, and I really believed in that character strongly. In my heart of hearts, when I was eight years old, I believed that if I studied real hard, and worked out real hard, and if my dad bought me a cool car, I could be this guy.
As the character talks and moves, the world around him is slowly revealed, just like dollying a camera back for a wider look at things. So all my stories start with a character, and that character introduces setting, culture, conflict, government, economy... all of it, through his or her eyes.
When you're on a movie and the production department says, "We need old photographs of you - your character - when you were 20-years-old." I usually tell them it's in storage or I had a fire. I go back to these old photos and there's never a good photo or they're of times that I'm so glad I'm out of. They have nothing to do with the character that you're playing, so it feels false. That's one of the hardest things for me in terms of looking back.
I've gone through the village of my songwriting and my artistry, and I've gone through lots of different phases, including one where it has been very quiet and abandoned me for a few years.
I have a little bit of experience going in and playing a character - I played a character on 'Smallville' that had been established for decades and decades before I took it.
Superman is the hardest character to draw. There are a couple of things that make him difficult. He's got a very simple costume and doesn't have the long cape like Batman. He's not a character that is necessarily always in shadow, and he doesn't have a mask.
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