A Quote by Gene Siskel
We'd rather see a picture that we liked then dump on one we didn't.
Related Quotes
If you want me to explain the picture, if you put it in reality, then the mystery goes away. The situation just catches you and you think it is absurd or mysterious and you just take the picture. You dont want to see the bare reality of what happened. I took the picture as the picture, not as the realistic story of what happened.
Sometimes, if I see a picture and I can make it a bit better, then I will, like everyone else does. I've been Photoshopped in every picture since I started modelling.
When I see those ads with the quote 'You'll have to see this picture twice,' I know it's the kind of picture I don't want to see once.
I had no idea of who could play it, no notion really. Then Richard came to see us but I don't think it was decided at that meeting. The trouble is, as soon as you've chosen somebody it obscures anybody else you might have thought of. It's like going to a place that you've never been to before - you've got a picture of it and then you go there and that picture is totally wiped out by the reality.
I liked Bugs Bunny. He was pretty good. He's annoying as a duck and he's anti-proletarian. Daffy Duck I couldn't see what was going on with him. He seemed like he was angry about something. My favorite one though is Pinocchio. I liked that kid. He was made of wood. I liked that for a start. I also liked how he'd tell a lie and his nose would grow. I liked the morality of that.
Most people are walking around the city like corpses; they aren't alive enough to notice the trash. They come from other places and they see it as a big garbage dump. Do you want to live and work in a garbage dump? I don't. That's partly because I grew up in the most pristine environment possible - Hawaii, where it is sacrilege to leave your garbage on the ground.
I start my process hand written, and then I dump it in. It's like you're getting a second draft 'cause when I put it in the computer, I fix it and change stuff. That's my process. I picked that up from speaking to Neil Gaiman and Joe Hill. I was messing around with the idea of starting to write more, writing a book and doing things like this, and I reached out for advice. They were like, "Oh, we hand write, and then we dump it all in." I was like, "Great! There's no more blank pages."
What do we need all that for?”If a picture is psychologically motivated, if there is truth in the relationship in it, then I think that picture will do good. I firmly believe Rebel Without A Cause is such a picture.
We can see cities during the day and at night, and we can watch rivers dump sediment into the ocean, and see hurricanes form.
People don't want to see wrinkles, because if they see wrinkles in actors then they have to face that they have wrinkles, too. They'd rather see perfection up there. And so then you get rocket scientists who are 22 years old.
I only ever take one picture of one thing. Literally. Never two. So then that picture is taken and then the next one is waiting somewhere else.
If I was painting a picture, I wouldn't want to take a picture of a single paint stroke. I'd rather show people what it looks like when it's done.
One time a guy handed me a picture. He said, 'Here's a picture of me when I was younger.' Every picture is of you when you were younger. 'Here's a picture of me when I'm older.' 'You son of bit, how'd you pull that off Let me see that camera. What's it look like'
My original idea was to photograph Princess Diana in her tiara. But then I thought, am I interested in seeing another picture of her as a royal person, or would I rather see what she is actually about? And that's why I decided to do her without jewels, without shoes, without trimmings.
I don't see myself as a movie maker only. When I can do a picture, I do. But I don't work like a business, in pictures. I am not obliged to make one picture after the other in order to live. I write books, I write for comic books, I give lectures... I live. And when the opportunity comes to do a picture, I do a picture.
There's always a time in any series of work where you get to a certain point and your work is going steadily and each picture is better than the next, and then you sort of level off and that's when you realize that it's not that each picture is better then the next, it's that each picture up's the ante. And that every time you take one good picture, the next one has got to be better.
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