A Quote by Gene Stratton-Porter
I don't so much mind the falling, but I do seem to select the hardest spots to light on.
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Autumn is the hardest season. The leaves are all falling, and they're falling like they're falling in love with the ground.
You have choice. You can select joy over despair. You can select happiness over tears. You can select action over apathy. You can select growth over stagnation. You can select you. And you can select life. And it's time that people tell you you're not at the mercy of forces greater than yourself. You are, indeed, the greatest force for you.
The light is really the most important thing, so if you don't have skylights and if you don't have north light, this is like having a natural skylight. Light is the crucial factor. With wet oil paints, you don't want any hot spots or bounce.
Our minds thus grow in spots; and like grease spots, the spots spread. But we let them spread as little as possible: we keep unaltered as much of our old knowledge, as many of our old prejudices and beliefs, as we can.
I want to be the band everyone knows that goes hardest. Plays the hardest, parties the hardest, lives the hardest, loves the hardest, does everything the hardest, harder than anybody else.
When the light turns green, you go. When the light turns red, you stop. But what do you do when the light turns blue with orange and lavender spots?
As the moon, though darkened with spots, gives us a much greater light than the stars that sewn all-luminous, so do the Scriptures afford more light than the brightest human authors. In them the ignorant may learn all requisite knowledge, and the most knowing may learn to discern their ignorance.
Our minds thus grow in spots; and like grease-spots, the spots spread. But we let them spread as little as possible: we keep unaltered as much of our old knowledge, as many of our old prejudices and beliefs, as we can. We patch and tinker more than we renew. The novelty soaks in; it stains the ancient mass; but it is also tinged by what absorbs it.
It was loud in spots and less loud in other spots, and it had that quality which I have noticed in all violin solos of seeming to last much longer than it actually did.
It has been said that a man of genius should select his ancestors with great care - and yet there does not seem to be as much in heredity as most people think. The children of the great are often small.
The leaves are falling, falling as from way off, as though far gardens withered in the skies; they are falling with denying gestures. And in the nights the heavy earth is falling from all the stars down into loneliness. We all are falling. This hand falls. And look at others: it is in them all. And yet there is one who holds this falling endlessly gently in his hands.
You need to learn how to select your thoughts just the same way you select your clothes every day. This is a power you can cultivate. If you want to control things in your life so bad, work on the mind. That's the only thing you should be trying to control.
Your subconscious mind does not argue with you. It accepts what your conscious mind decrees. If you say, "I can't afford it," your subconscious mind works to make it true. Select a better thought. Decree, "I'll buy it. I accept it in my mind."
My works are about light in the sense that light is present and there; the work is made of light. It's not about light or a record of it, but it is light. Light is not so much something that reveals, as it is itself revelation.
We are deceived if we think that mind and judgment are two different matters: judgment is but the extent of the light of the mind. This light penetrates to the bottom of matters; it remarks all that can be remarked, and perceives what appears imperceptible. Therefore we must agree that it is the extent of the light in the mind that produces all the effects which we attribute to judgment.
Limit or eliminate late-night computer and television viewing. A computer or TV screen may seem much dimmer than a light bulb, but these screens often fill your field of vision, mimicking the effects of a room filled with light.
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