A Quote by Gene Stratton-Porter
We never know the timber of a man's soul until something cuts into him deeply and brings the grain out strong. You've the making of a mighty fine piece of furniture.
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Never does a man know the force that is in him till some mighty affliction or grief has humanized the soul.
He is not easy to describe. There is something wrong with his appearance; something displeasing, something downright detestable. I never saw a man I so disliked, and yet I scarce know why. He must be deformed somewhere; he gives a strong feeling of deformity, although I couldn’t specify the point. He’s an extraordinary-looking man, and yet I really can name nothing out of the way. No sir; I can make no hand of it; I can’t describe him. And it’s not want of memory; for I declare I can see him this moment.
There's a real hunger to understand where objects come from, how artists show their understanding of materials. And there's something fascinating about watching people work, whether it's someone engraving a gun or sewing beautiful clothes together. I know that myself; I'll make a piece of furniture and feel the wood's grain talking to me.
There's no room for him in your head, Elle. I'm there. I'll always be there and if he tries to come in I'll drive him out until you're strong enough to do it yourself. And there was never room for him in your heart because I was already there. He couldn't touch your soul. It belongs to you and no one else unless you decide to share.
You never know what peace is until you walk on the shores or in the fields or along the winding red roads of Prince Edward Island in a summer twilight when the dew is falling and the old stars are peeping out and the sea keeps its mighty tryst with the little land it loves. You find your soul then. You realize that youth is not a vanished thing but something that dwells forever in the heart.
Defeat may serve as well as victory To shake the soul and let the glory out. When the great oak is straining in the wind, The boughs drink in new beauty and the trunk Sends down a deeper root on the windward side. Only the soul that knows the mighty grief Can know the mighty rapture, Sorrows come To stretch out spaces in the heart for joy.
Only the soul that knows the mighty grief can know the mighty rapture. Sorrows come to stretch out spaces in the heart for joy.
The truth is, you can never really know a man until you've loaned him money. And you can never know a woman until you've slept in her bed.
Making a movie is like chipping away at a stone. You take a piece off here, you take a piece off there and when you're finished, you have a sculpture. You know that there's something in there, but you're not sure exactly what it is until you find it.
But let there be no misunderstanding: it is not that a real man, the object of knowledge, philosophical reflection or technological intervention, has been substituted for the soul, the illusion of theologians. The man described for us, whom we are invited to free, is already in himself the effect of a subjection more profound than himself. A 'soul' inhabits him and brings him to existence, which is itself a factor in the mastery that power exercises over the body. The soul is the effect and instrument of a political anatomy; the soul is the prison of the body.
It is the timber of poetry that wears most surely, and there is no timber that has not strong roots among the clay and worms.
Hunting is the noblest sport yet devised by the hand of man. There were mighty hunters in the Bible, and all the caves where the cave men lived are full of carvings of assorted game the head of the house drug home. If you hunt to eat, or hunt for sport for something fine, something that will make you proud, and make you remember every single detail of the day you found him and shot him, that is good too.
What sort of philosophy one chooses depends, therefore, on what sort of man one is; for a philosophical system is not a dead piece of furniture that we can reject or accept as we wish; it is rather a thing animated by the soul of the person who holds it.
[Shoji] Hamada's [drawings] were little one-line notations of something he wanted to remember about a pot or a piece of furniture or a landscape or something like that, and they were just done very quickly and they had, he thought, no artistic quality. They're not great drawings, but they served to remind him of something he had in his mind, so that when he then went to the studio, that would stick in his mind and he could explore the making of the pot with the clay on the wheel.
Women are strong, strong, terribly strong. We don't know how strong until we're pushing out our babies.
God would love to piece together the shattered fragments of your life. But He is waiting ... graciously waiting until the time is right. Until you are tired of the life you are living ... until you see it for what it really is. Until you are weary of coping ... of taking charge of your own life ... until you realize the mess you are making of it. Until you recognize your need for Him ... He's waiting.
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