A Quote by Gene Vincent
I'm a crack shot and I've won medals for shooting. But I don't think I could shoot a person.
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If your shot is broke, you at least want to shoot it comfortably. You want to be comfortable shooting a broke shot. You don't want to be uncomfortable shooting a broke shot.
Seventh grade is when I met my shooting coach and he fixed my shot. I used to shoot with two hands. Really ever since is when my I started to shoot real well.
I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.
I can't relate to the people who shoot wolves. I'm guessing the person who shot Wolf 06 wouldn't relate much to me either. You let people go out and shoot hundreds of wolves and watch violent movies, and then you're surprised when they go on a rampage shooting other humans. You can't separate violence like that.
I think the worst thing you could do is not shoot the shot. When you shoot you got two options: It can go in or you can miss, and even in the miss you might learn.
The set of 'Mayaanadhi' had a positive vibe. The shooting was during the rainy season. There were interruptions; some days we could shoot only one shot. But, we were happy in whatever we did.
The only real difference between shooting 'Firefly' and 'Serenity' was that on 'Serenity,' we had a lot more freedom with time. When you're shooting a television show, you usually have anywhere between six and nine pages of script to shoot a day, and only twelve hours to do it. But with 'Serenity,' we could shoot one scene all day long.
When I am shooting a film I never think of how I want to shoot something; I simply shoot it.
When you're working with a script and you have three pages for that day, you have to shoot that. It can become sort of like a prison, because by the time you've shot what you need to shoot, you don't really have time to think or shoot anything else.
I hate casual shooting. Every shot is preceded by working to get open and catch and shoot under game like conditions
Usually, I have in mind what I want to do. I shoot pretty economically, so I'm not shooting tons of stuff that I could change, all that much. I'll cut something or add a little something back, but not too much. This is maybe the producer part of me, but I'm always worried about the budget, so I shoot what I know I need to shoot for the film.
'True Blood' is shot on film. It's more like a movie, and they take more days to shoot it, plus it has an hour of content. 'The Good Wife' is network. They're shooting on HD. It moves quicker and they only have forty minutes of content instead of a full hour. Not to mention the difference of shooting, you know, rated-R stuff!
I try not to tell students where to shoot, when to shoot, or what to shoot. I feel finding the picture is the most important part of being a photographer. The actual shooting is of lesser importance.
You do need to edit yourself as you shoot because you have fewer options in a smaller movie. In other words, when I'm shooting a big movie, and I got an 85 day shooting schedule or more, then I'm saying I have enough time to shoot option A and B and C and D for every scene.
With Animal Factory you'd think that because it's mostly interiors, you could shoot it anywhere. So we shot this in Philadelphia, and we had the cooperation of the prison system.
I'm not a big fan of shooting something that looks like it could belong in any movie. I'm not a fan of, okay, 'wide shot, wide shot, medium shot, close-up, close-up - we'll figure it out in post.' I hate that.
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