A Quote by Gene Weingarten

Ever since roughly 1890, when snot poets first decided that rhyme was confining and unnecessary, every idiot with a pen fancied hisself a poet. The mere act of rhyming was suddenly regarded as a quaint, mannered, and uncool atavism, consigning doggerelists like me to the trash bin of literary history.
I love poetry. I love rhyming. Do you know, there are poets who don't rhyme? Shakespeare did not rhyme most of the time, and that's why I do not like him.
I first decided that I could make a career of MMA after I decided to take it seriously and not act like a teenager in some band, but fully commit myself like a professional. Roughly, when I decided to up and move in the middle of the night from Omaha, Neb. to Denver, Colo. for proper training.
The painter puts brush to canvas, and the poet puts pen to paper. The poet has the easier task, for his pen does not alter his rhyme.
Picturesque meant - he decided after careful observation of the scenerey that inspired Twoflower to use the word - that the landscape was horribly precipitous. Quaint, when used to describe the occasional village through which they passed, meant fever-ridden and tumbledown. Twoflower was a tourist, the first ever seen on the discworld. Tourist, Rincewind had decided, mean 'idiot'.
When people ask me, 'When are you gonna stop rhyming?' I don't know when I'm gonna stop rhyming because we all got situations. Even when I get 50 or 60 years old, if God spares my life, if I got false teeth and I'm still rhyming, I have to rhyme about that.
This is what rhyme does. In a couplet, the first rhyme is like a question to which the second rhyme is an answer. The first rhyme leaves something in the air, some unanswered business. In most quatrains, space is created between the rhyme that poses the question and the rhyme that gives the answer - it is like a pleasure deferred.
The earliest English attempts at rhyming probably included words whose agreement is so slight that it deserves the name of mere 'assonance' rather than that of actual rhyme.
When I first started reading poetry, all the poets I read - Edgar Allan Poe, Oliver Wendell Holmes, John Greenleaf Whittier - were rhyme poets. That's what captured me.
If skills sold truth be told I'd probably be lyrically Talib Kweli Truthfully I want to rhyme like Common Sense (But I did five Mil) I ain't been rhyming like Common since.
Pound's crazy. All poets are.... They have to be. You don't put a poet like Pound in the loony bin.
Pound's crazy. All poets are. They have to be. You don't put a poet like Pound in the loony bin.
Rhyme to kill, rhyme to murder, rhyme to stomp, Rhyme to ill, rhyme to romp, Rhyme to smack, rhyme to shock, rhyme to roll, Rhyme to destroy anything, toy boy. On the microphone: I'm Poppa Large, big shot on the East Coast.
I have decided to be a poet. My father said there isn't a suitable career structure for poets and no pensions and other boring things, but I am quite decided.
I aint choose to rhyme, Rhyming chose me.
One of the surest tests of the superiority or inferiority of a poet is the way in which a poet borrows. Immature poets imitate mature poets steal bad poets deface what they take and good poets make it into something better or at least something different. The good poet welds his theft into a whole of feeling which is unique utterly different than that from which it is torn the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time or alien in language or diverse in interest.
The only nice poets I've ever met were bad poets, and a bad poet is not a poet at all - ergo, I've never met a nice poet.
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