A Quote by Gene Weingarten

Peggy Noonan is not as good a columnist as my colleague Kathleen Parker, in my opinion, but they share something related to their Pulitzers. Kathleen won in in 2010. They won it for a similar reason. They broke from their crowd, and sprinted away. They delivered the politically unexpected take, at some peril to their readership.
The two teachers that I had in the Art Institute who affected me the most were Kathleen Blackshear and Robert von Neumann; Kathleen Blackshear because she taught a class called design - I can't remember, design something, and in this class - it met once a week - we would do work centered around some theme, word or subject or technique or whatever, and bring it in for a three-hour discussion. And Kathleen was able, in watching and looking at our work, to direct us to all kinds of things which might relate to what we were trying to do, but she never attempted to tell us what to do.
You feel like people are looking at you like, 'I wanted the old Kathleen. Where's the old Kathleen?' I felt that way in the beginning of Le Tigre. I felt people were like, 'You're not angry enough anymore.' People still ask me that. 'Are you still angry?' I'm like, 'About what? About that question? Yes.'
People tell me not to do a soap, but it was a great learning experience because I became familiar with the technical aspects of the business. Besides, look who came out of soaps - Julianne Moore, Demi Moore, Tommy Lee Jones, Parker Posey, Kathleen Turner. All amazing people.
I got a hug from Kathleen Marshall, Sheryl Crow, and Barry Levinson all in the same day - and that was something pretty special!
I'd love to play a role like Kathleen Turner in 'Body Heat.'
In my professional life, someone I really look up to is Kathleen Finch.
I began seeing my wife, Kathleen, while I was undergoing treatment for prostate cancer.
I have to pinch myself every time I think of getting to work with Kathleen Turner.
You know when you go into your pocket and feel another hand in there? Well, that's Premier Kathleen Wynne.
When I was little I wanted to be like Kathleen Hanna or Courtney Love or be attached to the X-girls and hang out in downtown culture.
The writing of Kathleen McGookey shines more brightly than most fine things we feel pleasure to read. Celebrate it!
[Kathleen Blackshear] just said, "Have you thought of looking at this?" and so on and so on and so on. And it was a discussion group where everyone had a say, and it was a tremendous learning experience.
Probably every book I read influenced me in some small way. Authors like Jan Westcott, Kathleen Winsor, Catherine Cookson, Georgette Heyer, and even Barbara Cartland taught me to write character-driven stories.
So what I am always looking for is, I'm always looking for something that that person has told me that nobody else has told me. It is normally not an opinion, and it is normally not a philosophy. It's almost always a story. Because we all share similar philosophies, we all share similar opinions on a lot of different issues, but all of our stories are our own.
For a long while, I found Parker impossible. He went away for 23 years. I tried to bring him back a few times, and I sort of figured out where he came from, why he went away, and why he came back. The thing that I have to tap into for Parker is in some way the outsider. If I can tap into the outsider, I can write about Parker, and if I can't, I can't.
My sister Kathleen - one year older - was the school's acting legend. Her thing was getting all the parts, even Tiresias. And I wasn't going to mess with that.
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