A Quote by Gene Wilder
I love acting, especially if it's a fantasy of some kind, where it's not just realistic, it's not naturalism.
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I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
I love a certain kind of acting style that I would call non-American, which tends to be more detail-oriented and less externalized. There's a kind of naturalism that I often find in non-American actors. I also find that quality in the American actors I work with, but I like to bring in those influences creatively.
We're looking for a certain kind of realism or naturalism, and we go about it in different ways, but I think we're all striving for the same end result, which is to capture the patterns of conversations and how people interact in a very realistic way.
It would be impossible to accept naturalism itself if we really and consistently believed naturalism. For naturalism is a system of thought. But for naturalism all thoughts are mere events with irrational causes. It is, to me at any rate, impossible to regard the thoughts which make up naturalism in that way and, at the same time, regard them as a real insight into external reality...If it is true, then we can know no truths. It cuts its own throat.
I loved acting as a kid because I was kind of shy, so it brought me out of myself. Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible. It wasn't like some idea of going to Hollywood; it was in my backyard. I lived two blocks from Grauman's Chinese Theatre growing up. It was what people did. It's an industry town. So it wasn't some far-off fantasy, it was like "Oh yeah, when you grow up, you do this because that's what people do here."
I have an appreciation for what some people would call "bad acting," but which I think can be much more real than the overly emotive, technical and supposedly "realistic" acting that is so prevalent in mainstream cinema.
People normally view my work as fantasy, which on some level is true, but I do think that my work is more magical realist than fantasy. I believe in the fantasies within each of our realities, i.e., I portray very relatable human issues in a very realistic tone, yet in a magical setting.
Guys are playing fantasy football; some guys I think even play fantasy baseball. I don't get involved with it. I have five kids; I just don't have time. Not that anything's wrong with the fantasy, but I just don't have time for it with my lifestyle.
It is not realistic, maybe ... but art doesn't have to be realistic. Romeo and Juliet is not realistic, but it is true... it shows the essence of falling in love.
American naturalism is what my indulgent actor side loves: a bit of Tennessee Williams, a bit of Clifford Odets, August Wilson - I would just love to tackle some of that.
Now, if you want to do realistic, kind of heavier acting stuff, you do it on Amazon or Netflix or whatever or HBO.
In particular, what I loved about 'Creep' and 'The One I Love' was the combination of naturalism, horror, and comedy that felt kind of new and fun.
Some of these love stories can be destructive as examples of what it means to really love. To think that someone is your one and only, that you're fated to be with this person, is a really powerful, sexy fantasy - but it is a fantasy, at least in part.
Acting is doing, because everything you say or do is some kind of an action, some kind of a verb. You're always connected to the other person through some kind of action.
I believe almost every men have some kind of fantasy for action scenes. I'm one of them, and I just can't be so sluggish.
I'm not really one of those people who goes and writes some big back story and agonizes over characters. I think you kind of can get it. For me personally, it's just kind of more instinctive. But I don't have kind of an acting background. I fell into it accidentally.
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