A Quote by Gene Wilder
I want to do what I can lend my talents to, but I want it to be as a human being and not as a two-dimensional character.
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I want to be respected as a writer and, like I said, I was really sick of people saying I was a two dimensional character. I want more to my legacy, I guess.
I don't want to be a leader that is one-dimensional or two-dimensional because he's not willing to be open.
When you're in your early 20s, a lot of characters can be one or two dimensional. You want a role to substantiate the drama, as opposed to actually analyzing the psychology of a human being. That's what drew me to acting, particularly the contradictions in people.
I always say that, like a scientist or anyone, you always want to be the problem-solver. You feel like, if you solve the greatest mystery or the greatest problem, then that makes you brilliant. It's the same thing with an actress. You want to be able to really tackle a character and make it a fully-dimensional human being who is complicated, funny and all the things that a person could be.
You want to be able to really tackle a character and make it a fully-dimensional human being who is complicated, funny, and all the things that a person could be. If you can achieve that, you feel great. You so rarely get to do that as an actress in general, but as a black actress, it's almost never.
I didn't want to just do a show where my character stood out and other characters were flat or one-to-two-dimensional. I wanted everybody to have meat.
With any television series - and it's something that is taken for granted with movies because you have the whole arc within two hours - you establish who the character is and it's a two-dimensional version, or if you're lucky, a two and a half-dimensional character. Once you establish that, you can move forward and break all the rules. Once the audience has accepted who the person is, then you can do the exact opposite. What makes it funny and interesting is doing the opposite.
If we want the banks to lend - and we all do - if we want the economy to expand - and we all do - do you really want to start confining the banks in their ability to make profits in order to generate more capital to lend out to the people?
Many times - especially when I'm playing an historical character - I want to be really on target with how I create that character and really nuanced with who that human being might be. But I don't want to lose the likeness of me or the depth of my own personality. So meditation and my spirituality has helped me to realize that, yes, I want to get out of the way but I also want the ability to hold on to what the audience likes of what they see of me.
I don't want to do action that doesn't mean anything. Everything I do I want to have character development and three-dimensional characters, fallible humans, and this is definitely one of them.
I love the fact that there are more and more young people out there who still want to make a flat two-dimensional surface come alive with three dimensional magic.
We want a sense that an important character, like a narrator, is reliable. We want to believe that a character is not playing ages or being coy or being manipulative, but is telling the truth to the best of his or her ability...We do not wish to be crudely manipulated...We want to be massaged by a masseur, not whapped by a carpet beater.
I never want to play a character that's one-dimensional.
As an actor, you don't want to play a one-dimensional character.
Saul Bellow has that character in Henderson the Rain King say: "I want, I want, I want!"9 I remember reading this passage years ago and thinking, yes, that's the human.
It's because we're so trapped in our culture, in the being of being human on this planet with the brains we have, and the same two arms and legs everybody has. We're so trapped that any way we could imagine to escape would be just another part of the trap. Anything we want, we're trained to want.
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