A Quote by Gene Wolfe

Have a short story feature two situations, and then let them solve each other. — © Gene Wolfe
Have a short story feature two situations, and then let them solve each other.
The worst feature of this double consciousness is, that the two lives, of the understanding and of the soul, which we lead, reallyshow very little relation to each other; never meet and measure each other: one prevails now, all buzz and din; and the other prevails then, all infinitude and paradise; and, with the progress of life, the two discover no greater disposition to reconcile themselves.
If love exists between two persons, it is blessed. If love does not exist between two persons, then all your laws put together cannot bridge them. Then they exist separate, then they exist apart, then they exist in conflict, then they exist always in war. And they create all kinds of trouble for each other. They are nasty to each other, nagging to each other, possessive of each other, violent, oppressive, dominating, dictatorial.
I had originally written 'Pariah' as a feature, and we shot the first act as a short film, and then we used the short as a marketing tool to fundraise for the feature.
Managers are not confronted with problems that are independent of each other, but with dynamic situations that consist of complex systems of changing problems that interact with each other. I call such situations messes. Problems are extracted from messes by analysis. Managers do not solve problems, they manage messes.
Whether you were talking about Pillsbury, Burger King, Godfather's, the National Restaurant Association, in each one of those situations, I had a daunting problem that I had to solve. And I used the same business principles to approach the problem and, more importantly, solve the problem in every one of the situations.
...I told him a story of two people. Two people who shouldn't have met, and who didn't like each other much when they did, but who found they were the only two people in the world who could possibly have understood each other.
How joyful to be together, alone as when we first were joined in our little house by the river long ago, except that now we know each other, as we did not then; and now instead of two stories fumbling to meet, we belong to one story that the two, joining, made. And now we touch each other with the tenderness of mortals, who know themselves
Even if the two parents have decided they can't stand the sight of each other anymore, they can still back each other up, cover for each other, and fill in the blanks for each other when it comes to their cocreated children, so that neither of them has to feel as if they're having to do it all.
I think the power of the short film is incredibly underrated. It is way easier to get someone to watch a 15-minute film then a full-length feature. In those 15 minutes you have the opportunity to express your voice as an artist and hopefully connect with your audience. If you are trying to be a first time feature director then a short film that demonstrates you have a grasp on the themes and concepts of the movie you want to direct is a no-brainer. Whether they are collaborators or potential investors, filmmaking is a visual art form so you obviously need visuals to show them!
Who is ever adequate? We all create situations each other can't live up to, then break our hearts at them because they don't.
A brief short story may require only a few paragraphs after the climax. On the other hand, in his massive novel 'The World According to Garp,' John Irving's denouement consisted of 10 separate sections, each devoted to an individual character's fate and each almost a story in itself.
I think that too often we, film directors, think that a big epic novel and feature film are the same. It's a lie. A feature film is much closer to a short story actually.
Pixar's short films convinced Disney that if the company could produce memorable characters within five minutes, then the confidence was there in creating a feature film with those abilities in story and character development.
What Rose brings to the Doctor’s life is completion. It’s completing a circle – he’s male, he’s alien, he’s a traveler. Between the two of them together they complement each other and discover each other. And are in love with each other – absolutely, unashamedly, unreservedly.
my crime books are actually novels and are written as such. One might even say that each one is really two novels, one of which is the story I tell the reader, and the other the buried story I know and let slip now and then into a clue to whet the reader's interest.
If you listen to two people who are arguing about something, and they each of them have passionate faith that they're right, but they believe different things---they belong to different religions, different faiths, there is nothing they can do to settle their disagreement short of shooting each other, which is what they very often actually do.
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