A Quote by Genelia D'Souza
As far as my projects are concerned, I have always maintained a healthy balance. My south Indian projects have never taken a backseat even though I've been busy in Hindi. Both regions have loved me, and being wanted by both the north and south film industries is a compliment by itself.
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As far as the industries go, in the North, they think I'm a South Indian actress; down South, I've always been thought of as a Bombay girl. I guess it's sort of an identity crisis, even though I'd like to belong to all the industries.
Having done movies in Malayalam, Telugu, Tamil, and Hindi, I have been accepted both in North and down South. I don't believe in divisions. I like to believe that I am working in the Indian film industry.
In contrast, Western historians, and those in South Korea, say the North attacked the South on June 25, 1950. Both sides agree that after the war began, the North Korean Army captured Seoul in three days and pushed as far south as Pusan before American troops arrived to drive back the North Koreans nearly as far north as the border to China.
I'm an Ivy League-educated lawyer, so you'd think the world wouldn't mess with me, right? But I've been paid $10,000 less than a less qualified man in the same role. I've had men I've worked with grab my leg or rub my back in ways that have made me feel uncomfortable. I've been taken off projects because I was pregnant, even though my pregnancies have been both been healthy and didn't impact my work at all.
Balancing my career between two industries has never been an issue. I started with a Telugu film and have a soft corner for the south industry, though I've grown up speaking Hindi. I don't think language can be a barrier when it comes to acting. And, since I come from a theatre background, I'm used to memorizing my lines.
I remember breaking the news to both my parents that I wanted to be a director, and they both looked very doubtful. They didn't know what a closet Hindi film buff I was. I used to dance to old Hindi films songs on the sly, so my decision to be a part of Hindi cinema was shocking even for my parents.
I will not leave my South films for a Hindi film. I want to be sincere to my South film makers and commitments. Only if my dates are not clashing with any of my South films will I do Hindi films.
My journalist sensibilities have guided me toward the types of projects I've gone for, even though the projects have been fairly diverse. It always has to have that interesting to attract me, I think.
Whether the film is a Hindi film or in a South Indian language, I don't think it matters.
Having portrayed English-speaking Indian characters in British and American projects, I have always wanted to use my mother tongue in an Indian film.
Slowly, very slowly, like two unhurried compass needles, the feet turned towards the right; north, north-east, east, south-east, south, south-south-west; then paused, and after a few seconds, turned as unhurriedly back towards the left. South-south-west, south, south-east, east.
Prior to Katrina, the South Bronx and New Orleans' Ninth Ward had a lot in common. Both were largely populated by poor people of color, both hotbeds of cultural innovation: think hip-hop and jazz. Both are waterfront communities that host both industries and residents in close proximity of one another.
When I did my first Hindi film, 'Sargam,' I had to play a dumb girl. Critics went to town saying that since I was a south Indian and didn't know how to speak Hindi, producers of the movie decided to make me play dumb.
I have been working in north Indian villages, so I know the truth. Compared to the south Indian states, north India is less developed, and there's little awareness on menstrual hygiene.
I want to balance my projects. Ideally, I'd like to do at least one indie film, a mainstream movie, and a TV series in a year - the best of both worlds.
If you're black, you were born in jail, in the North as well as the South. Stop talking about the South. Long as you south of the Canadian border, you're south.
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