A Quote by Geneva Carr
I like visceral writing that people can't help but respond to, even if they respond, and they're shocked, or they're angry, or they're offended. I think that's the only way to reach people.
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You either believe that people respond to authority, or that they respond to kindness and inclusion. I'm obviously in the latter camp. I think that people respond better to reward than punishment.
If you create something that is asking for people to respond as they're going to respond, you have to allow them to respond as they're going to respond. Some of the people are going to be uninterested and some people are going to be mad for some reason, which is their business. That's just the way the world is.
Comedy is drama. I think that if your characters are feeling something that is very real, then they have to respond in a way that feels real to them, and some situations, the only response you could possibly have is to respond in a way that's so extreme that people are going to laugh.
I think people enjoy "The Lobster" because people respond to original things, but I think they only respond to original things if they connect to some truths within us.
Some of my fans don't really like it when I respond to people who say things that are trying to be hurtful on social media. But I think it's kind of funny. There's a lot of things that make me laugh, that people would try and say those things. I mean, there's some that I can't even retweet or respond to just because of how bad it is.
I guess I have some kind of a visceral connection with drums. I'm looking to create music that people can react to viscerally, and people will respond to viscerally. I think that you can listen to music, to a song you've never heard before and not really like it, but also feel like you're responding to it physically whether you like it or not. I think that's a powerful aspect about music, and I think that's something that draws me to drums.
Fundamentalist Muslim terrorists kill three thousand Americans, but America isn't supposed to respond, because if we respond, they'll respond. We always hear about 'karmic retributions' and the 'cycle of violence' only after we've been hit.
The thing for me, and I can only really judge this by what I respond to myself as an audience member, I really only respond to a movie if I'm interested in the people who are in it. It's really that simple. If I'm not, then it's all noise.
The Craft was what it was. People who respond to that movie respond to it really strongly.
I was one of the main guys on my team and you always want to check people that you're bringing in. Are they tough enough physically and mentally? Can they respond when you need them to respond?
There are some people who have been reading me for years, and they keep saying kind things about the writing. That's what you're writing for, to get people to respond to it.
We have to respond to budget concerns, we have to respond to functional and programmatic concerns of the building, and we have to respond to public engagement. That's what you sign up for when you decide to become an architect.
In every crisis, people do not respond like a school of fish. Some people become immobilized. Some people become very angry, some commit suicide, and other people begin to find solutions. And visionary organizers look at those people, recognize them and encourage them, and they become leaders of the future.
People have to respond to the characters and respond to the situations that they're in. That said, it still has to be a compelling narrative that drives along and keeps people coming back week after week. So really, with any successful show you could name, there has to be a mysterious blend of both of those.
The only thing that dictates whether I respond to someone is whether I have something interesting to say in return. I respond to people I don't know at all, when their tweet hauls a nice fresh bucket of water up out of me, but if it comes up empty then I just stay quiet.
If you want to change the way people respond to you, change the way you respond to people.
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