A Quote by Geneva Carr

I saw a play in a black box theatre, and it changed my life. — © Geneva Carr
I saw a play in a black box theatre, and it changed my life.
I saw how the Government was run there [in Africa] and I saw where black people were running the banks. I saw, for the first time in my life, a black stewardess walking through a plane and that was quite an inspiration for me.
Bootworks' Black Box Theatre has a maximum seating capacity of two - as long as one of you is happy to sit on the other's lap.
Normally Connor would walk away from a conversation like this. His life is about tangibles: things you can see, hear and touch. God, souls, and all that has always been like a secret in a black box he couldn't see into, so it was easier just to leave it alone. Only now, he's inside the black box.
When I saw 'Hercules,' my mind just exploded because I was extremely thin; I was insecure. I literally ran out of the theatre and started lifting things, anything I could think of - milk crates. I'm still lifting things. It changed my life.
Basically I was a theatre fanatic. I had a job with Home Box Office as a theatre consultant for a long time.
When I saw 'Hamilton,' it changed my life. It's one of the most beautiful things I saw on stage.
A convincing demonstration of correctness being impossible as long as the mechanism is regarded as a black box, our only hope lies in not regarding the mechanism as a black box.
I had been doing wall drawings, but they were always black and white. Then in 1993 I painted all the walls of a room to make an installation and as soon as I saw the colour on the walls, it changed my whole life.
It's the most psychedelic experience I ever had, going to see Hendrix play. When he started to play, something changed: colors changed, everything changed.
When I saw Courtney Love in 1994, I knew what I wanted to do. The minute I saw a female-fronted rock n' roll band, that changed my life.
When I started out, I was very vociferously against theatre or what I saw theatre as being, so I tried to make my plays the opposite of that - something a bit more cinematic. I'm a film kid, so I'll never have the same love of theatre as I do of movies. It's just the way I was brought up.
On the outside, Oscar simply looked tired, no taller, no fatter, only the skin under his eyes, pouched from years of quiet desperation, had changed. Inside, he was in a world of hurt. He saw black flashes before his eyes. He saw himself falling through the air. He knew what he was turning into. He was turning into the worst kind of human on the planet: an old bitter dork. Saw himself at the Game Room, picking through the miniatures for the rest of his life. He didn't want this future but he couldn't see how it could be avoided, couldn't figure his way out of it. Fukú.
I don't know, when I was a kid, when I would see shows that changed my life, I would go to see shows where there was my mother taking us to see classic rock concerts, like Zeppelin, or when I saw Pink Floyd or when I saw, you know, when I was a little older, and I saw Nine Inch Nails, and I saw The Cure.
As for breaking up, once the relationship is over, you never really know what went wrong; you just feel nauseous whenever the subject comes to mind. After a plane crash there's the black box that tells the FAA what caused the crack-up. Too bad there's no black box of relationships.
I saw 'The Wild Duck' at the Belvoir St. Theatre in Sydney, and it was one of the best pieces of theatre I'd ever seen.
They are born, put in a box; they go home to live in a box; they study by ticking boxes; they go to what is called "work" in a box, where they sit in their cubicle box; they drive to the grocery store in a box to buy food in a box; they talk about thinking "outside the box"; and when they die they are put in a box.
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