A Quote by Genevieve O'Reilly

My goal has always been, from the time I was at drama school, about longevity. — © Genevieve O'Reilly
My goal has always been, from the time I was at drama school, about longevity.
The only thing at the back of my mind is longevity, and I'm really lucky that I've constantly been in work since I left drama school.
I always wanted to have a family - that was one of my big wishes. And in school, I'd taken drama, and I'd always wanted to act. I did go to drama school in New York, Los Angeles and London, and I did small parts here and there, but I never really had the time. Modeling was always paying more.
My goal has always been longevity. Not fame and fortune, just get a job and keep it.
I'd been gearing up to working in theatre since coming out of drama school, but it was an exciting time for TV drama - it was the birth of Channel 4, and Brookside was very cutting-edge at the time.
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
There is a lot of hype about drama school, I think. If you're an actor in England, that's just the way to get into it but I've been so incredibly lucky in that I was brought up in to it. I still might go to drama school, if I wanted to do theater work, definitely. It's a completely different type of training.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
I'd always wanted to go to drama school. My life plan was to get into drama school and become an actor, but it took me three years.
Particularly for English people, Shakespeare is always at the forefront of both drama and the English language. He's always been there. I can't remember starting school and not learning about him.
I was always keen to get involved in the school drama productions and was a member of the school choir. I was lucky to have attended schools that took music and drama very seriously and the teachers were just brilliant.
My tutors at drama school commended and criticised my use of comedy in my acting for a long time at drama school. They said I had a tendency to somehow perform the most tragic of scenes in a slightly flippant way.
There is always drama and there will always be drama, but its the way its presented in my head that makes it so interesting. Everyone gets their time in the middle of the drama.
Once a poet always a poet, and even though I haven't written poems for a long time, I can nonetheless say that everything I've ever learned about writing lyrical fiction has been informed by three decades of writing in lines and stanzas. For me the real drama of fiction is almost always the drama of the language.
I'd been wanting to work with James McAvoy since I was in drama school. I suppose there are parallels in that we're Scottish, we went to the same drama school and share the same agent, but aside from that, he's someone I've looked up to.
I felt quite confident - when you come out of drama school you feel like you're on top of everything. I always tell people to go to drama school even if they've already done movies or whatever because the way you encounter content is so different.
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