A Quote by Genevieve O'Reilly

We used to speak Irish - Gaelic Irish - around the dinner table, but over the years, we lost that. — © Genevieve O'Reilly
We used to speak Irish - Gaelic Irish - around the dinner table, but over the years, we lost that.
All my family look Irish. They act Irish. My sister even has red hair... it's crazy. I'm the one that doesn't seem Irish. None of the kids in my family, my siblings, speak with an Irish accent... we've never lived there full-time; we weren't born there. We just go there once or twice a year. It's weird. Our parents sound Irish, but we don't.
My kids are Irish; I want them to grow up playing Gaelic football and learning Irish.
The English and Americans dislike only some Irish--the same Irish that the Irish themselves detest, Irish writers--the ones that think.
Yes, I am Irish and Indian, which would be the coolest blend in the world if my parents were around to teach me how to be Irish and Indian. But they're not here and haven't been for years, so I'm not really Irish or Indian. I am a blank sky, a human solar eclipse.
I'm Irish as hell: Kelly on one side, Shanley on the other. My father had been born on a farm in the Irish Midlands. He and his brothers had been shepherds there, cattle and sheep, back in the early 1920s. I grew up surrounded by brogues and Irish music, but stayed away from the old country till I was over 40. I just couldn't own being Irish.
My parents are Irish, my grandparents are Irish, my great-grandparents are Irish. I was born in England; my blood is Irish.
My mom's family was 100 percent Irish, in the American way of being Irish, and then my dad was half Irish.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
Throughout my childhood, I did a form of Irish dancing that was kind of the precursor to 'Riverdance.' It was a mixture of ballet and Irish dancing that my teacher, Patricia Mulholland, had invented, essentially. It was Irish ballet, and she would create performances based around the myths and legends of Ireland.
Inherently in us as Irish people, wherever you are in the world, when you hear an Irish accent, it's like a moth to a flame. There's a real personable pride and camaraderie about being Irish.
I'm still an Irish republican; I absolutely believe in Irish unity and am working to achieve that. But over the course of 15 years or more, people like myself and others have been working to end the vicious cycle of conflict.
I'm Irish and very proud of being Irish, but as an actor, your extraction should be secondary, really. You should be able to embody whatever character it is, wherever the character comes from. That's always been important, for me. I'm an actor who's Irish, not an Irish actor.
Gaelic football is a very Irish sport, which I played.
Irish tory employers hid[e] their sweatshops behind orange flags, and Irish home rule landlords us[e] the green sunburst of Erin to cloak their rack-renting in the festering slums of our Irish towns.
Being Irish and a citizen of the world, has made me truly appreciate Irish culture, music and history. Whether you're first, second generation Irish or even with no connection to Ireland, you should visit in 2013 for a unique experience.
There can be no such things as an Irish nationalist accepting the loyalist veto and partition. You cannot claim to be an Irish nationalist if you consent to an internal six county settlement and if you are willing to negotiate the state of Irish society with a foreign government.
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