A Quote by Gennady Golovkin

I like real people. I don't like fakes. — © Gennady Golovkin
I like real people. I don't like fakes.
Shot fakes and ball fakes work. No one uses more than Wisconsin. It's amazing how many people don't use them
Out of the thousands who are known or who want to be known as poets, maybe one or two are genuine and the rest are fakes, hanging around the sacred precincts, trying to look like the real thing.
Conspiracies and all the theories of conspiracy are a part of the canon of fakes. And I'm involved, in all of my writings, the theoretical ones as well as the novels, with the production of fakes.
I met some brothers out from Canada recently who are real cool people. They make Spanish-language music called Cold Blue and I met then at a Lat-Rap conference and they seem like real good peoples from Central America... and that's what it is. It's just based on mutual respect. So when I meet people like that I'm like, "if y'all going to be real with me, I'm going to be real with y'all" and that's all it takes.
I'm very comfortable with an R-rating. I feel like it sounds like what people talk like in real life; I think it's more real to me.
There are six elements of gravitas critical to leadership: grace under fire, decisiveness, emotional intelligence and the ability to read a room, integrity and authenticity (people don't like fakes), a vision that inspires others, and a stellar reputation.
I was in the land of fakes and frauds and phonies-I felt like saying “Howdy cousin,” to everybody who walked by.
It's easy to smile just to make other people feel better. But when a person fakes happy, it has edges. Regular people may not see, but the people who count, they can see the edges and the lines where your smile ends and the real you, the sadness (me) or the anger (Grandma) begins.
The blogosphere is real, and it can be really harsh on fakes... so, if you're a phoney, you're going to get your bell rung.
I don''t like this reality television, I have to be honest;I think real people should not be on television; It''s for special people like us, people who have trained and studied to appear to be real
With Trixie, people like that I look like this fabricated painted creation, but all my comedy and my songs come from a place of reality. It's like the man behind the curtain - it's the crying clown - that's what works for people with Trixie. It's the dichotomy of someone looking like a toy but then, you know, speaking and singing like a real boy.
The world of art, I have suggested, is full of fakes. Fake originality, fake emotion and the fake expertise of the critics - these are all around us and in such abundance that we hardly know where to look for the real thing. Or perhaps there is no real thing?
I can't even look at daily comic strips. And I hate sitcoms because they don't seem like real people to me: they're props that often say horrible things to each other, which I don't find funny. I have to feel like they're real people.
I always felt like I could combine good pop songs that are easy for people to like with a real person and a real mind and integrity.
Things like 'The Office,' and arguably shows like 'The Only Way Is Essex,' are comedies, just using real people in real situations.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
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