A Quote by Geoff Downes

Now with Pro Tools, you can play with layers and 100s and 100s of tracks. When we used to do it back in the day, you had one shot, or you would have to wipe it and carry on over that track.
Back then, Pro Tools only had four or eight tracks, so we couldn't actually hear all the tracks. We could only hear eight at a time, so if a song had 25 or 30 tracks, we wouldn't be able to hear it until we went into the studio an put it all on tape. The process was a little bit backwards.
The bile makes it better. I am an information wasting machine - 100s of words a day.
If I go gambling the slots, some of my friends will come with me and play along with me. It's not like I'm starting out with $500 a pull or $1,000 a pull. I go in there and play $25, and if I win, I play $100s.
I'm from the pre-Pro Tools era where you had to meet up with the artist and go over things if you wanted to record a track.
My dad used to do a lot of music when he was young, so he had an 8-track MiniDisc recorder, and when he realized that I was getting on with it, he brought it upstairs to my room and showed me how to record and how, once you finished eight tracks, you can cut it down to two and have another six tracks to play with.
I want to do new things, and I want to do more 200s than 100s.
I started making movies in the early '90s, a few years after I discovered 'the cinema' during a three month stay in Paris during which I watched 100s of films.
You're going to have 100s of millions of users on Chrome, spanning mobile, tablets, and desktops. That is one unfragmented base. That uniformity is probably better than most of the issues across browsers.
I didn't grow up working on 24-track - the first two Taste albums were eight-track and we always had tracks left over - we couldn't believe it, either!
Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
I used to link up boom boxes, record one take, play it into another boom box then play all that back into the other one until I had six tracks. It was unlistenable!
I like to work with a combination of analog and Pro Tools. I love the sound of analog tape, but there's so many things you can do with Pro Tools that would be incredibly difficult and very time-consuming with analog.
If the pro abortionists were not in control of the press, I am convinced that not only would the debate on abortion be over by now (have we really even had a national debate?), but the Pro-Life side would be victorious because we would have seen the pictures every night on television of what is taking place behind the doors of the abortion clinics and hospitals.
I have a pro tools rig that I carry in my backpack.
People ask me, 'Would you ever want to play professional golf?' And I'm like, 'No. No, no, no, no. Just because I can hit a good shot every now and then doesn't make me a pro.'
I don't worry about the last shot or the next shot. I concentrate. Every shot gets a clean slate. And when a shot is over, I wipe it out absolutely. Tell a joke or something. If you worry about how you looked, how well you did, you'll go insane.
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