A Quote by Geoff Downes

Well, I think that it is complicated in that the first four albums were all with Universal so they have the rights to that and therefore it is a lot easier for them to do that period.
Early on, in discussions of financial oversight, people would say, 'Well, this is a very complicated problem, therefore it requires a complicated solution.' And at that step, I would say, 'Well, wait a minute. Just because it's a complicated problem doesn't mean the best course of action immediately is one that's complicated.'
It was not by accident or coincidence that the rights to freedom in speech and press were coupled in a single guaranty with the rights of the people peaceably to assemble and to petition for redress of grievances. All these, though not identical, are inseparable. They are cognate rights, and therefore are united in the First Article's assurance.
The albums I did around that time probably wouldn't have been the same without Ecstacy. The first three Soft Cell albums... were all really albums that were just done around Ecstacy and the whole E feeling.
I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
The albums 'Heaven On Earth' and 'Runaway Horses' and 'Live Your Life Be Free' were harking back to when I was a young girl and listening to Californian radio - lush productions, complicated melodies, harmonies like the Beach Boys and the Mamas and Papas. That's what those albums remind me of.
I am now speaking of rights under the Constitution, and not of moral or religious rights. I do not discuss the morals of the people of Missouri, but let them settle that matter for themselves. I hold that the people of the slaveholding States are civilized men as well as ourselves, that they bear consciences as well as we, and that they are accountable to God and their posterity and not to us. It is for them to decide therefore the moral and religious right of the slavery question for themselves within their own limits.
I think if you take 'Get Ready,' 'Waiting For The Siren's Call,' 'Lost Sirens' - those three New Order albums were mostly guitar-based. There were a couple of dance tunes in there, but they were mainly guitar-oriented. They came about through jamming, a lot of them.
All you really need to know for the moment is that the universe is a lot more complicated than you might think, even if you start from a position of thinking it's pretty damn complicated in the first place.
There are parts in albums where I wrote a lot of the lyrics. There are parts on albums where Steve wrote a lot of the lyrics, even albums where Steve did the majority of the lyric writing. Then there were albums like 'Coming Home' where I did most of the chorus lyric writing. But it was always split.
My first five albums were triple-platinum, and I played a lot of concerts.
You know, if Kelly Clarkson wants to do country albums because that’s what inspires her, then let her do it. Look at Kanye West or Ludacris ... they aren’t rappin’ and cussin’ like they were on their first few albums, so what does that make them? It’s all in the eye of the beholder and the listener. We all use our outlet to grow ourself.
You know, if Kelly Clarkson wants to do country albums because that's what inspires her, then let her do it. Look at Kanye West or Ludacris... they aren't rappin' and cussin' like they were on their first few albums, so what does that make them? It's all in the eye of the beholder and the listener. We all use our outlet to grow ourself.
I would have issues with directions songs were taking, but I never heard one of Carlos' [Dangler] basslines and said, "I don't like that, do something else." The same goes for the beat and the guitars. I think that's why we were able to make four albums together.
All beings want to live in peace and happiness, undisturbed. Therefore the concept of human rights is universal.
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