A Quote by Geoff Dyer
I think I can recognize when a piece is at a state of completion. I always say to my wife, "Oh yeah, it's roughly finished." I've got it there. And then there's that whole other phase of moving on to properly amp up the sentences and sometimes to move stuff around as well.
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I think I can recognize when a piece is at a state of completion.
There is always a better choice that you were unable to quite touch with a single stroke. Even in acting, there comes a point, like a painting, where you have to say, "That's it. I can't go any further with it." And sometimes, you say, "I'm really pleased that that's where it's finished up." Other times, you think, "I don't think I really quite got there, but I haven't got time to go any further." Rather reluctantly, you have to say "That's it."
I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning.
It's a fun show, BoJack Horseman to do, and that gets around. It's easy, especially for a lot of actors who don't do a lot of voiceover. No makeup, no wardrobe, they really just come in, the lines are right there, we goof around for a half hour, and I think it feels like, "Oh, yeah, this is why I got into this business: to play around and have some fun." There's no paparazzi, most of them don't do any promotion for the show. it's the fun part of acting, without the other stuff.
I have no trouble walking around. But every once in a while, somebody will come, during the course of the day, and say, 'Oh, I recognize you from such-and-such,' and yeah, they'll make a connection. I think for the most part, people don't go, 'Where do I know him from? Does he work at the bank?'
I will usually be in denial about that, too, because I really don't like that. Sometimes I will recognize it and sometimes someone will say, "are you okay?" And then you think, "Oh, maybe I'm not."
I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.
I do this thing at every party: I go to a party, I stand around for, like, 45 minutes, and then I turn to my wife and say, 'I think we should go home.' And then we leave, and then I wake up the next morning and say to my wife, 'We don't go out anymore.' It's a great trick.
When the game is finished, it's completely finished. I'm with my kids. Sometimes people say to me, 'Oh, did you see the game?' and I say, 'No, I didn't see the game'. I watch if my friends are playing or my brothers. But not always.
Bad stuff happens.
Sometimes it makes no sense at all. Sometimes its unfair.
Sometimes, it just plain sucks.
Bad stuff happens sometimes.
Always remember that, but remember that you have to move on somehow. You just pick your head up and stare at something beautiful like the sky, or the ocean, and you move the hell on.
There's a kind of edge to what you're doing, the kind of leading edge of what you're doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. "I've pulled that one out before. Oh, no, I can't I'm just fed up with that. Let's do something else."And you always think "Oh my God I've never done anything at all like that before." But, of course, in retrospect, and to an outsider, they'll say, "Oh, yeah that's typical Eno.
I started doing the big Hollywood stuff, and I realised, 'Oh, there's no rehearsal at all; you just turn up on the set, and sometimes you haven't even met the other actor, or the woman who's playing your wife, and you're suddenly in bed with them.'
If you are what you say you are
A superstar
Then have no fear
The camera's is here
and the microphones and they wanna know
Oh oh oh oh yeah
If you are what you say you are
Then have no fear
I feel like that [the role in Star Trek] is a prime example of, yeah, I got that role and it was awesome, because it changed a lot for me professionally, but then creatively, it became a whole other thing, with J.J. [Abrams] and Chris [Pine] and the people I got to know. Now I just feel like it's our jobs to be open and to keep moving stuff forward. I don't know what that means. This is the first time in a long time that I have no idea what's happening next. As scary as that is, and as anxiety-provoking as that can still be, it's also really exciting.
I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.
My parents took a chance and sacrificed their jobs and a big move to California. And they were like, 'Are you sure you want to do this? We're literally packing up this whole house.' And I would always say, 'Yeah.' I'm six years old. And they were like, 'OK, if she wants to do this and this is her passion, then let's do it.'
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