A Quote by Geoff Dyer

I'm never happier when writing than when I see gags taking shape - ideally, gags at my own expense. What I like is the shuttling back and forth, serious into comedy and vice-versa, ideally, both in the same sentence, or even simultaneously. The best jokes are always ideas in miniature.
Plate glass... has no beauty of its own. Ideally, you ought not to be able to see it at all, but through it you can see all that is happening outside. That is the equivalent of writing that is plain and unadorned. Ideally, in reading such writing, you are not even aware that you are reading. Ideas and events seem merely to flow from the mind of the writer into that of the reader without any barrier between. I hope that is what is happening when you read this book
If you do something that is not gags and punchlines and is character-based, where there are no jokes as such, then it all has to come from a place of truth, and I love that - I love nothing more than getting very serious about my comedy.
I do not have a good control of running sight gags. I laugh like hell when I see them, but I don't know how to invent those jokes.
And writing comedy and it really taught me how to kind of like craft jokes, it sounds like weird but really focus on crafting jokes and trying to make the writing really sharp. At the same time I did improv comedy in college, and that helped with understanding the performance aspect of comedy, you know, because it's different when you improv something vs. when you write it and they're both kind of part of my process now.
There are a lot of great jokes you can sit down and write, but that's just a written joke, versus the comedy of the situation. Ideally, you're pulling as much comedy out of the situation as you can.
I've been doing some acting, writing classes, and taking a holistic approach so I can actually be good at this craft. But ideally I'd eventually want to get my own show and make my 'Atlanta' or my 'Master of None' - whatever that would look like - in whatever media landscape that would best suit it.
Ideally the world would look like Davos, where there's more security than we can even see on the street.
I'm a big believer in comedy writers. I've always defended the honor of all comedy writers. It's extremely difficult, but I've always felt that comedy writers far more easily can move toward drama than vice versa.
Ideally, we'd want an Irishman coming in for the job, but, ideally it doesn't really matter.
Literature is always something - it is either story or poetry, ideally both. That is, you always know what it is and even if the interpretation is not available, the experience of language is.
Tweeting is a great way to practice writing jokes, but there is so much more to comedy writing than just jokes. Jokes are a necessity, but you also have to learn how to write characters, to break a story, to keep coherence between episodes. I've learned more by being a TV writer than I ever could've on my own.
I don't really like jokes in a way. I mean gags are fine but I like weird moments where what you have isn't really a joke, just tiny moments.
I am interested in the shape of ideas even if I do not believe in them. There is a wonderful sentence in Augustine . . . "Do not despair: one of the thieves was saved; do not presume: one of the thieves was damned." That sentence had a wonderful shape. It is the shape that matters.
Anything has a rhythm to it, comedy or drama. There has to be a musicality to it. And everybody can't play the same instrument, ideally. But I think that we all have the same comedic tendencies, and that's why it works. We all sort of agree with what's funny.
Comedy is all about the character. When you're too focused on the gags, the character suffers, and you don't get the laugh. Comedy has to come from the character.
I want to balance my projects. Ideally, I'd like to do at least one indie film, a mainstream movie, and a TV series in a year - the best of both worlds.
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