A Quote by Geoff Dyer

When I'm writing, quite often I start having a good time when I see there's a chance to make myself look like a real jerk. I start chuckling and having an interesting, rather than a boring, time.
Every time I start thinking the world is all bad, then I start seeing people out there having a good time on motorcycles. It makes me take another look.
Just because I might be bored doesn't mean I have to look boring. I'd rather look fabulous, like I'm having a great time.
I don't go to conferences quite as much as I used to: having a child and movin away from the university leaves me with less time, but I've tried to balance things out - not just spending time with Linux all the time, but having a real job and a real life at the same time.
There are times when we in Little Dragon write from scratch together, but everyone has their own lives, so it just seems to make sense when everyone starts an idea on their own and we sort of meet somewhere along the way. I'm at the studio all the time because I live there, but the guys will have different schedules. It's easier to start an idea with your own thoughts, rather than having to compromise from the start.
The universe defies you to answer the following questions: What good is a high paying career if it leaves you continually stressed out and miserable? What good is owning a large stately house if the only time you spend in it is when you sleep in it? What good is having a lot of interesting possessions if you never have the free time to enjoy them? Above all, what good is having a family if you seldom see any of its members?
In real life, writers tend to be quite boring, but in our books, we're having exciting adventures all the time.
It takes me a long time to write, and I trust myself, so I write very sparsely, so when I do, I know it's good, you know what I mean? Rather than writing a whole bunch and having to sort out what's good and what's not.
Everyone thinks he knows what a lettuce looks like. But start to draw one and you realise the anomaly of having lived with lettuces all your life but never having seen one, never having seen the semi-translucent leaves curling in their own lettuce way, never having noticed what makes a lettuce a lettuce rather than a curly kale.
Travel writing is harrowing. You are in paradise, more or less, having to prove it is paradise. It is hard to have a good time trying to figure out a way to say you are having a good time, whether you are having it or not, even in paradise.
Was I a businessman to start with? I'm not sure. I mean, that comes slowly, when you start having the products out. But at the same time, I was very determined. I knew that I had to make it work. I had no choice.
It's a good time for me, but it's only recently I've become comfortable in my job. At the start, it's hard having the nerve to call yourself an actor, let alone doing it. I gave myself two years after drama school, and if I didn't make it, then I'd give it up.
Though people see me in a good light all the time, I turn off my phone and take time to have a good conversation with myself while enjoying nature alone when I'm having a hard time.
For me, a late start was a good thing. A lot of kids who start too early get bored. I'd done all the things I wanted to do, I'd enjoyed myself, having fun and playing as an amateur and that was important.
Whenever I start a new book, I think, 'This is the most interesting subject of all time. It's sad, I'll never enjoy writing another book as much as I enjoy this one.' Every time, I'm convinced. And then I change my mind when I start the next book.
In fiction the narrator is a performance of voice, and it can be any style of voice, but I'm interested in the ways that a voice that knows it's telling a story is actually telling a different story than it intends to. In the way that I can sit here and tell you what I had for breakfast, but I'm really telling you that I'm having an affair, something like that. And I don't think my writing is plain, but I think a lot of my characters are just talking. There is vulnerability there, in that we can start to see through them, we can start to see where they're deceiving themselves.
Most of the time, when I'm writing, I'm writing for myself. I'm thinking, 'What will my character say at this time? What will come out of her mouth?' I create individuals so real to me, I sometimes start talking to them. Then I let them loose on the page.
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