A Quote by Geoff Dyer

There is a thematic continuity here within Bigelow's work: 'The Hurt Locker' serves up a military equivalent of the thrill-trips that Lenny Nero was hustling in her earlier 'Strange Days.'
It was a strange thing, this feeling of empathy. He'd never experienced it before. He realized that what hurt this woman hurt him as well, that what made her bleed caused a hemorrhage of pain within his soul.
Military power serves the cause of security by making prohibitive the cost of any aggressive attack. It serves the cause of peace by holding up a shield behind which the patient constructive work of peace can go on.
We have a great all-volunteer force, but the fact is that 0.5% of the U.S. population serves in the military, maybe another 3-5% knows someone who serves. Leaving 95% of Ameria with no real contact with the military.
By the way, you guys seriously screwed up just now. (Nero) We know. (They said in unison.) Yeah, well, what you don’t know is how grateful your girl is to you. I just thought you should know that you guys are a hero to her…and she thinks we’re all idiots. (Nero)
I simply can't understand the stereotyping women as film makers who make soppy family dramas. Look at Katherine Bigelow: she has directed Point Break and Strange Days. I hate labels of any kind. Just because you are a woman you can't do this or that? Twenty years ago women entering the work force was enough of a shock. People just like the predictable; they feel safe with it. You know, it's such a bore
To perform live, to get that thrill of the audience reaction is great. There is no equivalent of watching someone stand up and clap on the Internet.
Any comic like myself owes everything he has to Lenny Bruce. He was the originator. The godfather of uncensored American stand-up is clearly Lenny Bruce.
Since most heroes are doing villainous roles these days, that thrill is lost. Earlier, there used to be a hero, a heroine, a villain and such. The villain's entry would generate a lot of curiosity among the audience back then.
I like to think how easily Nature will absorb London as she absorbed the mastodon, setting her spiders to spin the winding-sheet and her worms to fill in the grave, and her grass to cover it pitifully up, adding flowers - as an unknown hand added them to the grave of Nero.
I try to do romantic gestures all the time. For instance, this morning I work up early -- earlier than I would have normally liked to have woken up. Elizabeth [Chambers] was still asleep, so I just laid in bed and cuddled with her for an hour. I just ran my hands over her body. It was nice.
But then male directors also have a hard time getting their movies made... not as hard as women but it's a tough time for any movie this size. And that particular movie [The Hurt Locker] was so specific. It couldn't hurt, of course, and I'm really glad for her, but I don't know how much it will change things, if at all. The film industry is still so sexist.
Paul was Nero's prisoner, but Nero was much more God's.
A lot of times, people have forgotten about an album by the time it's released, because it leaked three months earlier. Very strange days we live in.
I wish I were stronger and more secure in myself so that I could really spend my life with a guy like Lenny. Because he has a different kind of strength than Joshie. He has the strength of his sweet tuna arms. He has the strength of putting his nose in my hair and calling it home. He has the strength to cry when I go down on him. Who IS Lenny? Who DOES that? Who will ever open up to me like that again? No one. Because it's too dangerous. Lenny is a dangerous man. Joshie is more powerful, but Lenny is much more dangerous.
Kathryn Bigelow is a really good example of somebody that has maintained her truth and she makes the films she wants to make and she hasn't let other people affect her too much. Her last film is to me so inspiring and the way she sees war, the way she set up those really intimate relationships in and amongst this carnage.
My work is really the accumulation of these different moods that I've had throughout my life and where they've taken me. I start looking back, and I think, I've actually created a life out of all this, out of these changes of mood. They've pushed me through all these years, and I seem to have a semblance of a life, and if I look very carefully, I can see some thematic design to it. There's some continuity.
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