A Quote by Geoff Johns

I love finding balance. My favorite thing to do is action-driven, emotionally-charged scenes. — © Geoff Johns
I love finding balance. My favorite thing to do is action-driven, emotionally-charged scenes.
My favorite thing to do is action-driven, emotionally-charged scenes. If it's not just two people talking in a room, but it's on the move and things are happening and it's chaotic, and emotion comes from the characters and from the action, and the fall-out ultimately changes the character relationships, that exactly the kind of stuff I like writing.
That's the challenging thing with TV; it's not the action scenes per se, and it's not the location scenes and the heavy dialog scenes, but the fact that there is just no let-up; there is no break.
For me, my favorite scenes, when I'm in my comfort zone, are the fighting scenes Those are my favorite to do, so I'd love to have more of those.
When you're adapting a novel, there are always scenes taken out of the book, and no matter which scenes they are, it's always someone's favorite. As a screenwriter, you realize, 'Well, it doesn't work if you include everyone's favorite scenes.'
They're called 'action scenes' because they do the acting for you. You don't have to act in action scenes. The action does it all for you. It's great.
All human action is expressive; a gesture is an intentionally expressive action. All art is expressive - of its author and of the situation in which he works - but some art is intended to move us through visual gestures that transmit, and perhaps give release to, emotions and emotionally charged messages. Such art is expressionist.
Don't write about your most emotionally charged moment as a learning thing.
I love scenes that are just emotional give and take. By the same token, action sequences are great to do. They have their own unique demands and requirements. So I take it as it comes, and hopefully you can get a good balance of all of that stuff.
I love scenes that are just emotional give and take. By the same token action sequences are great to do. They have their own unique demands and requirements. So I take it as it comes and hopefully you can get a good balance of all of that stuff.
My favorite thing is to be working with people I enjoy working with. I've reached the point where, emotionally, I don't need to act any more. Financially, I do. But emotionally, it wouldn't matter to me if I never acted again.
I love finding and doing new things and trying stuff out; that's my favorite thing to do.
Normally, the action is just a gratuitous thing. In the case of Bourne, he was going to learn about himself in the action scenes.
One of the biggest struggles that I've faced and overcome is finding a balance between emotion and facilitating it through logical means. One of the biggest challenges I have is finding that balance. This emotional mess that I am and this logical side of me, I try to find the medium that will balance me out. I think that's my big mission statement in life: to find that balance. It's a negative-positive and how that relates.
They’re called action scenes because they do the acting for you. You don’t have to act in action scenes.
Exaggeration can lend action scenes more force, but I like to stick to more realistic figures: They help keep the cool in the action scenes, although they may be not as forceful as the exaggerated ones.
Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.
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