A Quote by Geoff Johns
I love Captain Cold. I have him on my door at the office. He's grounded; he doesn't want to rule the world. He's not necessarily driven by ego, which a lot of villains are.
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As a rule, from what I've observed, the American Captain of Industry doesn't do anything out of business hours. When he has put the cat out and locked up the office for the night, he just relapses into a state of coma from which he emerges only to start being a Captain of Industry again.
I'd like to go back and revisit the Flash/Captain Cold relationship, because that to me has been the heart of it all along. My impression is that The Flash is a show about a boy's journey into manhood. For the Flash character, there is a variety of male models presented to him, and Captain Cold is one of them.
The love to which ego is attached is a form of jealousy - this is why nobody is as jealous as lovers are. The love which is attached to the ego is a conspiracy and a trick to possess the other. It is a conspiracy - that is why nobody suffocates so many people as those who talk of love. This situation is created because of the 'love' which comes from the ego - there can never be any relation between love and the ego.
The thing about villains is that villains always have their own logic, and they don't necessarily see themselves as villains. Richelieu is not a villain, in his own mind. He's doing what he needs to do.
I have been continuously surprised by people who come to me and say they are afraid of love. What is the fear of love? It is because when you really love somebody your ego starts slipping and melting. You cannot love with the ego; the ego becomes a barrier. and when you want to drop the barrier the ego says, 'This is going to be a death. Beware!'
I have been thinking a lot about what we see in villains, how we relate to villains, and what it is about certain villains that we actually empathize with. Like Macbeth. We're not supposed to like a guy who kills the king and takes over, but there's something about him we're really fascinated by.
Pathology has made us acquainted with a great number of states in which the boundary lines between the ego and the external world become uncertain or in which they are actually drawn incorrectly. There are cases in which parts of a person's own body, even portions of his own mental life - his perceptions, thoughts and feelings -, appear alien to him and as not belonging to his ego; there are other cases in which he ascribes to the external world things that clearly originate in his own ego and that ought to be acknowledged by it.
There is a physics to the world, which non-fiction has a contract to stand in awe of, otherwise it becomes completely self-centered and ego-driven, which is the death of a memoir.
To be ordinary is the greatest virtue - because when you are just ordinary, nothing to claim, of this world or that, the ego disappears. The ego feeds on imbalance, the ego feeds on extremes. The ego lives on the polarities - in the middle it disappears. And in every area, in every direction of life, remember this: just stop in the middle and soon you will find the mind has stopped, the ego has stopped. Nothing to claim, it disappears. And when it disappears you have become virtuous. Now the door is open for the divine. In the middle you meet him; at the extremes you miss.
I've played more villains than anything else. And I love playing villains, because I can just be evil and do whatever I want.
Fashion lives in the world of ideals; it is not necessarily grounded in the real world. The question becomes whose ideal it is. My ideal happens to be diversity. I love difference. I love change. I love experimentation and eccentricities. I like not knowing something and then discovering. Fashion can only reflect this diversity if we designers have an open and curious mind.
Memoir is actually the most egoless genre, even though it might seem ostensibly so much ego-driven. In order for it to succeed, you have to dissolve the self into these larger universal truths, and explore these deeper mysteries. If it’s purely autobiographical and ego-driven, it’s going to fail.
Autumn is the very soul of metamorphosis, a time when the world is poised at the door of winter - which is the door of death - but has not yet fallen. It is a world of contradictions: a time of harvest and plenty but also of cold and hardship. Here we dwell in the midst of life, but we know most keenly that all things must pass away and shrivel. Autumn turns the world from one thing into another. The year is seasoned and wise but not yet decrepit or senile.
Always make a note of what you are doing and where it leads. By and by, you will become aware of that which is ego and that which is nature; which is real and which is false. It will take time and alertness, observation. And don't deceive yourself - because only ego leads to misery, nothing else. Don't throw the responsibility on the other; the other is irrelevant. Your ego leads to misery, nobody else leads you into misery. Ego is the gate of hell, and the natural, the authentic, the real that comes from your center, is the door to heaven. You will have to find it and work it out.
To say that I wanted to become the captain is entirely incorrect. When Dhoni became captain and I played under him, we won the T20 World Cup.
So in Sahasrara, you must know what powers are there. There are one thousand powers, one thousand powers within you which are being enlightened. If you can understand that, then you will understand what is the use of having ego because you have such a lot of powers within you, which you have not utilized. We should use, but because of ego you cannot. With love you can. With love you can manage and you can do a lot.
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