As long as Green Lantern is still dealing with fear, it's going to be relevant. 'Rebirth' really grew out of 9/11. 9/11 happened, and then two years later, I was writing about fear. It was obviously connected.
I created lots of characters in high school and college, and the first character I created in pro comics was Liana, Green Lantern of M'Elu, for a backup story in 'Green Lantern #162,' my first professional sale.
I think 'Green Lantern' has the potential to be a very highly regarded superhero movie. We're approaching it with such respect and such care.
The similarity between Iron Man and Green Lantern is, unlike Superman or any of the X-Men or Spider-Man, anyone can be Green Lantern or Iron Man. All you need is the ring or the suit.
At some point along the way, I stopped being a writer, and I became a black writer. I never used to be a black writer. I used to write 'Spider-Man,' 'Green Lantern,' whatever was lying around. 'Thor,' 'Hulk,' whatever. Now, if the phone rings or when the phone rings, it's almost exclusively some project that has something to do with my ethnicity.
Clearly, Simon Baz brings such a different viewpoint to 'Green Lantern.' The very nature of the corps concept of overcoming fear, I felt Simon was a great character to explore, while getting a different viewpoint on things.
The amateur believes he must first overcome his fear; then he can do his work. The professional knows that fear can never be overcome. He knows there is no such thing as a fearless warrior or a dread-free artist.
To me, Green Arrow in the past, what people loved about Oliver Queen pre-New 52 was his relationships with other heroes. Like his friendship with Green Lantern, his animosity with Hawkman, his romance with Black Canary - these are all the things that sort of defined him.
So the Dark did a simple thing. They showed the maker of the sword his own uncertainty and fear. Fear of having done the wrong thing--fear that having done this one great thing, he would never again be able to accomplish anything of great worth--fear of age, of insufficiency, of unmet promise. All such great fears, that are the doom of people given the gift of making, and lie always somewhere in their minds.
Here's the thing - you can't be careful about what you pick because what looks like on paper is going to be a great script has often turned out to be a disaster, so there's no way to know what's going to work or to pick the right thing.
The ocean is 90% unexplored. It's a great canvas to paint Aquaman stories across, just like Green Lantern has space. It's more organic, which makes it different and interesting. It's alien, but it's terrestrial.
There's a famous tension between Green Lantern and Green Arrow in the comic books. Those guys have always been friends. They started off as not on the same page, and then they quickly became best friends.
For 'tis green, green, green, where the ruined towers are gray, And it's green, green, green, all the happy night and day; Green of leaf and green of sod, green of ivy on the wall, And the blessed Irish shamrock with the fairest green of all.
The great fear I've had to overcome is the fear of failure. You have to be willing to be afraid, if you're going to be an artist.
I have spent many hours on the beach collecting sea glass, and I almost always wonder, as I bend to pick up chunk of bottle green or a shard of meringue white, what the history of the glass was. Who used it? Was it a medicine bottle? A bit of a ship's lantern? Is that bubbled piece of glass with the charred bits inside it from a fire?
The great fear I've had to overcome is the fear of failure. It can be safer to stay in a comfort zone that's not stretching yourself.