A Quote by Geoff Johns

I tend to like writing long stories in comics. I worked on 'Flash,' 'Teen Titans' and 'JSA' for years. I always like diving into characters. — © Geoff Johns
I tend to like writing long stories in comics. I worked on 'Flash,' 'Teen Titans' and 'JSA' for years. I always like diving into characters.
The lovely thing about writing comics for so many years is that comics is a medium that is mistaken for a genre. It's not that there are not genres within comics, but because comics tend to be regarded as a genre in itself, content becomes secondary; as long as I was doing a comic, people would pick it up.
I didn't know too much about his comic book history. I know that in 'Teen Titans,' he's much more the comedic relief. But after reading the comic book iteration of Cyborg in 'The New Teen Titans' from the 1980s that Marv Wolfman and George Perez had worked on, I saw that there was a lot of texture to the character.
Comics shouldn't be 'tools' for anyone's agenda except for the characters. And I am speaking only of super hero action comics. I love many of the alternative comics that are like journalistic stories. Documentary comics, a mix of reportage and fiction. Those are just great.
I think that comics and television, as mediums, go hand in hand. Both tell long-form, continuing stories that are parsed out into little chapters and, if are successful, continue for years and years. What that means to me, as a writer, is it tells stories of transformation and evolution as characters.
Once I became an adult and started to pursue writing as a professional career, I realized my main characters were always young people. My stories naturally center around children and teenagers. I think it's because I have worked with youth for about twelve years. The pains and joys of adolescents are moments I witness on a daily basis, so their stories are always with me as I write.
I grew up watching a lot of stuff, like 'Teen Titans.'
Comics as art. I do comics as comics, and my opportunity to tell stories. Simple. Basic. Let the characters have the excitement, not the package. That's where I come from.
Some of my earliest work was in comics. I tend to think in pictures and always like to write scenes possessing the dynamic you find in comics.
I think I've got 12... Superman, Batman, Wonder Woman, The Flash, Aquaman, Plastic-Man, Green Lantern, Sandman, The Justice League, The Atom Legion of Superheroes and Teen Titans.... Just about all of their top titles.
I'm an attorney when I'm not writing comics, and have been for years. That's a side of my life I don't always associate with pure creativity, but it's all worked out nicely.
I think it's very hard to talk about these characters in a closed-ended, sort of non-sequel way, especially characters like The Flash and Green Lantern, which have such rich, long histories.
My debut album is like a collection of work over the past nine or ten years that I've been writing since I was 18-years-old, and when you've had that long writing music you get to select the music that has worked really well.
I'll write teen stories as long as people will let me. I'll also be excited for the day when I'm told I can no longer write teen stories.
Dichotomies are an inherent part of comics, aren't they? Comics are both pictures and words. They blend time and space. Many feature characters with dual identities like Bruce Wayne/Batman. Cartoonists also tend to live dichotomous lives because many of us have day jobs.
I always thought that life is full of stories and characters that feel like literary stories and characters. So when I started making documentaries, they weren't humble empirical things, just following people around. I was always trying to impose a story.
I thought Korra was 17 so Mike and I have to get our stories straight. The main characters are in their late teens, we've always loved those kind of teen love triangle type stories and there was plenty of that in the original series.
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