A Quote by Geoff Rickly

There's definitely privilege in the upper classes, but as a whole, music can be enjoyed by anybody who can gather around a radio. — © Geoff Rickly
There's definitely privilege in the upper classes, but as a whole, music can be enjoyed by anybody who can gather around a radio.
Somebody got the idea nobody didn't listen to my kind 'a music. I told everybody on the radio that this was my last program. 'If anybody's enjoyed it,' I said, 'I'd like to hear from 'em.' I got 400 cards and letters that afternoon and the next mornin'... They decided they wanted to keep my kind of music.
A privilege may not be a right, but, under the constitution of the country, I do not gather that any broad distinction is drawn between the rights and the privileges that were enjoyed and that were taken away.
The Stately Homes of England, How beautiful they stand, To prove the Upper Classes, Have still the Upper Hand.
The trouble with the lower classes is that they lack the sense of tragedy given to them by the upper classes.
I look at radio as gone … Piracy is the new radio, that’s how music gets around.
Growing up, I was definitely surrounded by music all the time. My parents used to always play music; my dad used to have reggae on. I remember walking around with a cassette recorder, and I used to just record the songs I would hear on the radio so I could play it back when I feel like.
Three 6 Mafia have been around for a long time; we've made a lot of music. Anybody's music can influence anybody. I've heard people say that our music has influenced such and such, and it could be true, and it could not.
I grew up in the upper class, for sure. My family was kind of about that whole parties-and-horse racing thing. I can understand it's fun for some. I never enjoyed it.
It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
I would definitely say I'm predominantly a pop artist, obviously, but my music is different. It's not just top-40-radio-type music.
Much of what is today called "social criticism" consists of members of the upper classes denouncing the tastes of the lower classes (bawdy entertainment, fast food, plentiful consumer goods) while considering themselves egalitarians.
I have always enjoyed literature classes, and I took a fiction workshop for writing and analyzing at Curtis... I don't know if would do it professionally, but it's nice to have the balance with the music.
I'm definitely nostalgic about the music of my youth; The Clash and Fishbone and that whole music scene. I still have all that music to this day. There was some great music going on in the late 70s and 80s.
The working classes in England were always sentimental, and the Irish and Scots and Welsh. The upper-class English are the stiff-upper-lipped ones. And the middle class. They're the ones who are crippled emotionally because they can't move up, and they're desperate not to move down.
You don't try to get influenced by everything that's going on with all the other music around you. You don't listen to the radio - I mean, I don't. When I get ready to do an album, I don't listen to anybody else; I don't wanna be influenced.
I remember always looking forward to listening to country music in the car with my mother, and it wasn't even something I enjoyed in the sense of music, but just being around music itself was enough.
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