A Quote by Geoff Stults
I always wanted to be an athlete. Then when I realized that I can't run very fast, jump very high, or catch anything, I thought, 'Maybe if this doesn't work out, I can be an actor.'
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When I started my first film, there were three women directors in France. Their films were OK, but I was different. It's like when you start to jump and you put the pole very high - you have to jump very high. I thought, I have to use cinema as a language.
Like running the hurdles. Work so hard, jump over every one, fast, high enough but no higher, because you can't afford to hang in the air. And then, when the race is over, you're dripping with sweat, either they beat you or you beat them ... and then a couple of guys come out and move the hurdles out of the way. Turns out they were nothing. All that work to jump over them, but now they're gone.
I always set my ambitions very high. You want to be the greatest athlete, but I realized that life is not about that. I was a little bit blind.
Maybe having to pretend to be in love with someone and then jump into bed with them breaks the ice very quickly; friendship follows fast.
So, from a very young age, my mom tells me that I wanted to be Michael J. Fox. I didn't want to be an actor. I just wanted to be Michael J. Fox for awhile. And then, I realized that he was an actor, so I pursued that.
At first, I didn't know what an actor was. I thought it was an acrobat. I saw acrobats at the circus, and I thought that was interesting. In my head, that was what I imagined I wanted to be when I grew up. Then I realized what an actor was, and I've gravitated to it ever since.
I was always a closet lover of acting. My mom was very practical. She never, ever restricted our dreams, always told us we could do or be anything. Then I said, 'Maybe I want to be an actor.' And she said, 'Maybe not that.'
I was always a closet lover of acting. My mom was very practical. She never, ever restricted our dreams, always told us we could do or be anything. Then I said, 'Maybe I want to be an actor'. And she said, 'Maybe not that'.
I have a God-given talent and I work very hard for what I do. Anybody can run fast. It's how you run fast. I pay attention to technical things now.
My dad was an actor, and my older sister is an actress, and so I very much remember thinking, "Well, of course I'll do that as well." But I never imagined myself as an actor who would be in films. I always only thought of myself being in a play or a musical and maybe the odd episode of [U.K. '80s TV drama] Casualty. My backup plan was to do something with children, to start a nursery school or work with underprivileged kids. And I still dream of maybe doing that in some way. I've always got children in my house, always.
In the beginning, I was very stubborn and always wanted to be just an actor. I was told by a lot of people to try my hand at writing or directing, but I always thought, 'I am an actor, and this is what I want to do.'
Newscorp has always been, for us, very easy to work with and they respect our opinions and let us run the site we wanted to. And, in fact, they wanted to keep us on. They weren't saying, hey, let's throw these guys out. They were buying into what MySpace was and the founders, and so it's been very good for me.
I hated the culture, I hated the work. I very quickly realized that this wasn't what I wanted to do. So, after two years, I took some writing courses - I always loved to write - and I figured the only way I was going to get paid to write was in journalism. I really wasn't very involved politically with anything up until that point. Then I started reading about the second Palestinian Intifada, and I spoke to friends in activist and journalism circles. Then, somehow by complete luck, I ended up at Democracy Now.
I realized I could run after finding out that my dad used to run and it gave me the morale that if he did it then maybe I could also run.
Every year, I laid out a strategy of what I was going to do, and I was very successful. In 2003, I wanted to take the world by storm, and I did that indoors. In 2004, I wanted to run fast; I did that. In 2005, I wanted to be dominant, and I did that as well.
I just realized that I need to be a director - for two reasons. One, directors were already my heroes at this point. I wanted to; when I wanted to be an actor I wanted to work with this director. Not work with this actor, I wanted to work for this director.
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