A Quote by Geoff Tate

Is there anybody listening? Is there anyone who sees what's going on? Read between the lines, criticize the words they're selling. Think for yourself, and feel the walls become sand beneath your feet.
One of the basic things we should avoid is to criticize others. Better to criticize yourself. Criticize yourself, criticize your brothers and sisters, criticize your country, criticize all the habits you have and laugh at yourself, is the best way. If you know how to laugh at yourself then you will not object or will not stand in the way of any creativity of another person.
You always feel the ground rumbling beneath your feet, and if you don't, you're an idiot. Mostly because it is rumbling beneath your feet, and there is always someone who is coming up behind you who is as good, younger, and, at least as you perceive it, has more energy and more nimbleness than you.
Some people become so expert at reading between the lines they don't read the lines.
I wonder, What is it to be human? Especially now that we are so urban. How do we remember our connection with place? What is the umbilical cord that roots us to that primal, instinctive, erotic place? Every time I walk to the edge of this continent and feel the sand beneath my feet, feel the seafoam move up my body, I think, "Ah, yes, evolution." It's there, we just forget.
Become better listeners. Practice the art of listening in everything you do. Not just listening to yourself and your body, but listening to the people around you, listening to the plant world, the animal world. Really open your ears to what's coming at you. From there, see if you can have the ability to respond instead of react. And that usually comes with listening. If the observation and the listening are deep, then your action will be deep also.
To listen fully means to pay close attention to what is being said beneath the words. You listen not only to the 'music,' but to the essence of the person speaking. You listen not only for what someone knows, but for what he or she is. Ears operate at the speed of sound, which is far slower than the speed of light the eyes take in. Generative listening is the art of developing deeper silences in yourself, so you can slow our mind's hearing to your ears' natural speed, and hear beneath the words to their meaning.
With what all these people are saying, do you think that anybody wants to be around me? They all think that I did this on purpose? That I knew that I was positive, for so many years? I feel now that I'm going to be attacked if anybody sees me or if I go to the office.
As far as people communicating with each other well I think that listening is important. You know really trying to read between the lines of what some body is saying and trying to read their mind a little bit where there at because most people don't really say what they're feeling. Which is the bones of great literature.
You need to reinvent yourself every day when you are doing creative work. I always say that the moment I feel I'm at the top of the mountain and I cannot do more, I would be finished. So that's why I always feel the earth quake beneath my feet. I always feel myself on the fire. Because I think this is something that gives you the right adrenaline to work and go forward in your professional life. I have reinvented myself, believe me, many times in my life!
The word 'however' is like an imp coiled beneath your chair. It induces ink to form words you have not yet seen, and lines to march across the page and overshoot the margin. There are no endings. If you think so you are deceived as to their nature. They are all beginnings. Here is one.
I want to write something so simply about love or about pain that even as you are reading you feel it and as you read you keep feeling it and though it be my story it will be common, though it be singular it will be known to you so that by the end you will think— no, you will realize— that it was all the while yourself arranging the words, that it was all the time words that you yourself, out of your heart had been saying.
If you feel like you're doing terrible in a scene, that usually means that you're not listening because you're too preoccupied with yourself... you're not listening to your scene partner. If you listen, you're naturally going to get that response that the camera's going to pick up because you just react.
Leibniz is at the disadvantage of not having seen it. Or perhaps we should count this as an advantage, for anyone who sees it is dumbfounded by the brilliance of the geometry, and it is difficult to criticize a man’s work when you are down on your knees shielding your eyes.
Learn your lines… plant your feet… look the other actor in the eye… say the words… mean them.
I walked slowly out on the beach. A few yards below high-water mark I stopped and read the words again: WRITE YOUR WORRIES ON THE SAND. I let the paper blow away, reached down and picked up a fragment of shell. Kneeling there under the vault of the sky, I wrote several words, one above the other. Then I walked away, and I did not look back. I had written my troubles on the sand. The tide was coming in.
The truly humble feel the ground beneath their feet every day and do not only become aware of it when held aloft or pushed down to their knees.
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