A Quote by Geoff Zanelli

When I'm writing a score, I'm constantly looking for ways to improve on it, even when I think it's working well. I don't give up on things, and am always trying to make incremental improvements, which means I never finish writing a score early!
When I decide to score, I score. I know I am strong, but I believe it is not enough yet. I can kick fine, dribble very well, but I still have to improve.
I'm writing a musical. I am. I was able to buy the rights to 'The Preacher's Wife,' which starred Whitney Houston... I'm writing a whole new score and all the lyrics for it.
Music's always part of my writing. I think all art is interconnected. You can't create or experience one without its influences bleeding into another. In my writing, music's mostly something that feeds my inspiration and mood while I'm writing, but it's also taught me how to score scenes and even novels. The rise and fall of the storyline echoes the flow of a good piece of music.
I miss many chances, but I always keep trying, and sometimes you score easy goals or difficult goals, but in the end, I am trying to score.
Saturday afternoon is the hardest thing. I can go out and watch games, but I'm constantly on my phone looking at results: what score is this, what score is that. You have no real involvement, but you're obsessed with it.
Being in the best league in the world you are expected to score goals. I am disappointed when that doesn't happen but that is not to say I'm not working on it and trying to improve every day.
Even at my age, I'm trying to improve. Never give up, no matter what. Even if you get last place - finish.
I'm not going on the pitch just to score goals, I am going on there first to win and to play well and then, if I have the chance to score as well, that's even better.
When I grew up, I tried to score off every ball, be it a 10-over-match, a 20-over, or even a Test match. If I stay in the wicket for, say, about 30 minutes, I want to make the most of it and score maximum runs possible. You never know when you get out; try to score as much possible before that.
I'm working on a number of different things. I'm working on a couple of TV things and I'm working on a couple of film things too, and they're all very early stages. One of them I'm writing myself, one of them I'm writing with somebody else, and one of them I'm supervising a writer, and they're all sort of coming up at the same time and it'll be interesting to see which one kind of reveals itself first and jumps ahead.
I'm always writing something. There's always some structure sitting around someplace. There's always things on the computer, things scratched on score paper, legal tablets full of lyrics. It's never not buzzing around me all the time. I'm always doing it.
An artist or writer always has to move forward. All the time you're trying to improve yourself, or at least look at ways to improve things or make things better. I'm not really one to harp on previous records. I'm always looking forward to what I'm doing now, and what's ahead.
I'd always like to score at Goodison Park, being an Everton fan growing up. Anfield as well would be a nice place to score.
When you have the chance to go against a brother of yours on the court, you're always looking at each other like, If you score, we're looking at each other. If I score, I'm looking at him.
One of the big breakthroughs, I think for me, was reading Robert A. Heinlein's four rules of writing, one of which was, 'You must finish what you write.' I never had any problem with the first one, 'You must write' - I was writing since I was a kid. But I never finished what writing.
My primary job is to score runs and make KKR win, and that's what I am trying to do. Rest, I don't think too much. That's how I have always played my game.
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