A Quote by Geoffrey Canada
At a school in Massachusetts where I once worked, we managed early on through consensus. Which sounds wonderful, but it was just a very, very difficult way to sort of manage anything, because convincing everybody to do one particular thing, especially if it was hard, was almost impossible.
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Almost all human who can form a sentence will eventually let you in on the fact that their lives are very difficult and sometimes very hard to manage.
I was raised with a single mom and we had a very specific, very particular relationship. She worked with me and my job. I was almost three and we traveled everywhere together and she was really in my life in a really profound way. The most significant relationship of my life. It was beautiful and also an incredible, difficult struggle. I know how creative that life is, and how difficult it is to figure it out.
Art school is a very difficult thing to run in a generous, humane way, because academic power is somehow very corrupting.
If you're in America a lot, it's easy to get into playing American. All of it, the sounds, the energies, all very different. But it's really hard to do the accent. I tend to try and stay in it all day, which is the only way I can manage it.
In 1948, I began coaching basketball at UCLA. Each hour of practice we worked very hard. Each day we worked very hard. Each week we worked very hard. Each season we worked very hard. Four fourteen years we worked very hard and didn't win a national championship. However, a national championship was won in the fifteenth year. Another in the sixteenth. And eight more in the following ten years.
Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages. Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into. It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible.
I like to act. I guess letting what you love be what you do is key. I've worked very hard for that to be the case, probably because I'm very lazy and I only want to do things that are fun and I run away from anything that feels like work... Acting for me is like lunch at school - you're just in a playground where you get to pretend and play.
I like to act. I guess letting what you love be what you do is key. I've worked very hard for that to be the case, probably because I'm very lazy and I only want to do things that are fun and I run away from anything that feels like work... Acting for me is like lunch at school... you're just in a playground where you get to pretend and play.
I haven't met anybody who hasn't been able to describe years and years and years of very, very difficult struggle through the whole process of achieving anything whatsoever. And there's no way to sort of get around that.
When I went to college, it was so easy. And I worked two jobs while I was in school all the way through; I put myself through school. But working and studying was easy for me because I had worked so hard in high school, studying all the time. Taking only three classes and then working was an easy life in comparison.
Turning a human being into a thing, an object, is almost always the first step towards justifying violence against that person. It is very difficult, perhaps impossible, to be violent to someone we think of as an equal, someone we have empathy with, but it is very easy to abuse a thing
People talk about grief as if it's kind of an unremittingly awful thing, and it is. It is painful, but it's a very, very interesting sort of thing to go through, and it really helps you out. At the end of the day, it gets you through because you have to reform your relationship, and you have to figure out a way of getting to the future.
In the East all the religions preach egolessness. So in the East everybody is against the ego from the very beginning. Because of this anti attitude, ego never becomes strong, never comes to a point of integration from where it can be thrown. It is never ripe. So in the East it is very difficult to dissolve the ego, almost impossible.
I just got back from New York, and I realized in New York, it's very difficult to hear a New York accent. It's almost impossible, actually - everybody seems to speak like they're from the Valley or something. When I grew up, you could tell what street in Dublin someone's from by the way they talked.
I don't feel that Shaunae Miller cheated me because she didn't break any rules or anything like that, but I do feel like it's a very difficult way to lose. Having worked so hard and I know that that was such a close race, it just kind of made it even harder to deal with defeat just because of how it was done. But I don't think that she had any ill intention by it or did it on purpose. I think it just kind of happened.
I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book.
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