A Quote by Geoffrey Gray

One of the things, universally, that psychologists found with hijackers in the early '70s was that they all struggled with women. — © Geoffrey Gray
One of the things, universally, that psychologists found with hijackers in the early '70s was that they all struggled with women.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
My mother had her dresses made. In those days in Chile, the early '70s, people had dressmakers make their things. With the leftovers, my sister and I always had a matching outfit. She had an outfit, we had the mini version. That was the very late '60s, early '70s way to dress your kids.
I found dozens of albums I loved every year of the early 70s and more in the late 70s and more still in the decades since, partly because I knew more about music by then and partly because there were more to choose from.
Many people have trouble sticking to their resolutions, and there is a simple scientific explanation for this. In 1987, a team of psychologists conducted a study in which they monitored the New Year's resolutions of 275 people. After one week the psychologists found that 92 percent of the people were keeping their resolutions; after two weeks we have no idea what happened because the psychologists had quit monitoring.
Psychologists have set about describing the true nature of women with a certainty and a sense of their own infallibility rarely found in the secular world.
I call the '70s the "golden age of television"; in the early '70s there were sensationally good shows.
People forget that in the early '70s, Saturday was the most-watched night of television of the week. It was where you found 'The Mary Tyler Moore Show' and 'All in the Family.'
Early detection is key," she said. "And if I hadn't found my lump early, I don't know what would have been. I am still here and I want to encourage women to do that on a regular basis.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
I have struggled to be taken seriously as a female athlete. I have struggled to find my worth outside of winning. I have struggled to accept parts of myself. Now I'm recognizing the beauty in those parts as well as beauty in the times when things didn't go my way.
One thing I struggled with early in my career was the delicate balance between my performance and my identity. When things on the field went well, I was cheerful and felt important. When things went poorly, my countenance and self-concept plummeted, and I was not pleasant to be around.
I was born in '74, so I missed out on all the great early '60s and early '70s.
I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent.
All the time I had my success, I didn't know what I was doing. I struggled and struggled and hacked things out without any insight as to why.
I love French auto design of the early '50s, '60s, early '70s of Citorens, Renaults, and Peugeots. They're so unique.
Something I always wanted to do, to capture that later half of the '70s. It's like the early half of the '70s is still the '60s, in that there's still kind of a playfulness and inventiveness in terms of design and the things that were going on in the culture. The second half, it got much more commodified. It's possibly the ugliest era of architecture and clothes and design in the entire 20th century, from 1975 to '81 or '82.
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