A Quote by Geoffrey Hill
Snooki is a bestselling author? Huh? What? I don't know if I should dumb down my book, shoot myself or find a publisher who'll settle for a rough draft written on a Pop-Tart and a coconut lotion handie.
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You won't find a publisher until you have written the book and you won't find the time till you sit down, stay down, and write it. No one else is going to do it and that is a fact.
I'm probably the only bestselling author you know who's written more books than she's read.
First draft: let it run. Turn all the knobs up to 11. Second draft: hell. Cut it down and cut it into shape. Third draft: comb its nose and blow its hair. I usually find that most of the book will have handed itself to me on that first draft.
Everyone in the book's ecology, starting with the author and including the publisher, the distributor, the booksellers, the libraries, and ending up with the reader, should benefit from a healthy book trade.
You can microwave a Pop Tart. That just blew me away that you could do that. How long does it take to toast a Pop Tart? A minute and a half if you want it dark? People don't have that kind of time? Listen, if you need to zap-fry your Pop Tarts before you head out the door, you might want to loosen up your schedule.
There's lotion for your face, for your hands, for your feet, for your body. Why? What would happen if you put hand lotion on your feet? Would your feet get confused and start clapping? Each kind has something special in it - aloe, shea butter, coconut, cocoa butter, vanilla, lemon extract. That's not lotion. That's one ingredient short of a Bundt cake.
Frequently, an author gets "orphaned" at a publisher. What this means is that an editor buys their book, then ends up getting fired, promoted, or transferred to a different job somewhere else. It sucks for the author because suddenly the person who liked your book enough to buy it isn't around to help you edit and promote it.
I think there's a difference between having a bestselling book - meaning through marketing, PR and buying that first wave of customers - and writing a bestselling book. The second implies that the product propels itself to the best seller list.
Because your goal is a complete rough draft of a novel, and every rough draft, by being complete, is perfect.
As a traveler, I should probably count myself fortunate to be living in the jet age, and as an author, I know I am lucky to have a book tour at all.
I see myself as a first-draft writer, so when I sit down to write something, the first draft is usually pretty close to the end draft.
A lot of times, when people send me books to read - new writers mostly - I find that the book is still in a draft stage and that before it can leave the writer's hands and head to a publisher, it needs about five more revisions. Some people don't want to do that.
If you've written a powerful book about a woman and your publisher then puts a 'feminine' image on the cover, it 'types' the book.
I have the same fantasy every time I read a book I love, no matter who wrote it, no matter when it was written. That the author has written his book only for me.
To me a book is a message from the gods to mankind; or, if not, should never be published at all. A message from the gods should be delivered at once. It is damnably blasphemous to talk about the autumn season and so on. How dare the author or publisher demand a price for doing his duty, the highest and most honorable to which a man can be called?
Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something-anything-down on paper. A friend of mine says that the first draft is the down draft-you just get it down. The second draft is the up draft-you fix it up. You try to say what you have to say more accurately. And the third draft is the dental draft, where you check every tooth, to see if it's loose or cramped or decayed, or even, God help us, healthy.
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