A Quote by Geoffrey Rush

I didn't know the Green Lantern comics at all. I was a Superman reader. — © Geoffrey Rush
I didn't know the Green Lantern comics at all. I was a Superman reader.
Someone told me that there's a connection to Superman, that in an early edition of the Green Lantern comics, Tomar Re was the envoy to Krypton. That was fascinating to me.
The similarity between Iron Man and Green Lantern is, unlike Superman or any of the X-Men or Spider-Man, anyone can be Green Lantern or Iron Man. All you need is the ring or the suit.
I created lots of characters in high school and college, and the first character I created in pro comics was Liana, Green Lantern of M'Elu, for a backup story in 'Green Lantern #162,' my first professional sale.
I could do Superman, the Green Lantern, Wonder Woman, this kind of stuff [at school]. And kids would give me their lunch money to have these things.
I love the fact that they [girls ]are into Superman and Green Lantern and Batman and everything, and they really do have all those toys as well, but I don't want all their role models to be men.
It's much easier to make a Superman or Batman film than a Green Lantern film.
If you compare it to 'Batman' and 'Superman,' the world of 'Green Lantern' is way bigger and potentially way more interesting in a lot of ways, I think.
I think I've got 12... Superman, Batman, Wonder Woman, The Flash, Aquaman, Plastic-Man, Green Lantern, Sandman, The Justice League, The Atom Legion of Superheroes and Teen Titans.... Just about all of their top titles.
Batman is pretty much a self-trained guy. I think it would be fun to do a character like Superman or Captain Marvel or maybe Green Lantern, somebody who's got a completely different resource for fighting crime and fighting villains.
So many heroes are driven by destiny. Superman, Wonder Woman, Green Lantern, they were all chosen and born to heroism. Even with Batman, it doesn't feel like Bruce could do anything else. His whole life was leading him to become the Dark Knight.
In Marvel Comics, the worst thing was always that your loved ones could be attacked, or you could be horribly beaten in a knock-down, drag-out fight, but in the Superman comics, you would be run out of town with people throwing rotten vegetables at you and waving a sign that said, 'Superman, Who Needs You?'
I think probably the first time I wanted to be an artist was when I was about six or seven years old. I used to get British comics and I clearly remember seeing my first American comic: an issue of 'Action Comics', with Superman on the cover with a treasure horde in a cave, and Lois saying something like 'I don't believe Superman is a miser!'
Al Plastino helped redefine Superman in the 1950s. His work on 'Superman's Girlfriend,' 'Lois Lane,' 'Adventure Comics' and pretty much any title in the Superman family will be fondly remembered for years to come. He will be missed.
I've been using easy-to-understand DC Comics-surrogates to describe him: imagine if Darkseid's son, Orion, joined the Green Lantern Corps to train them to stop Darkseid. That's essentially what Victory is doing in the Galactic Rangers.
I don't think comics use iconic forms - or they don't have to. But that makes them even more "cool," if I understand the idea. One has to be quite involved to make comics work. Signals have to be decoded on both the verbal and visual level, simultaneously, and the reader must do a lot of cognitive work between panels as well. Comics definitely need an engaged reader.
The thing is, the Superman comics have been around a long time, and so have the movies. They've done a lot of Superman movies, as they have with Batman.
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