A Quote by Geoffrey Rush

I'm in 'Gods of Egypt.' It was CGI on a level that I've never encountered. You're in a blue environment on a mirrored floor because that's going to be looking like Ra the Sun God's boat. In the studio, it was like I was in a Robert Lepage theatrical piece.
I feel like we are so used to CGI [computer-generated imagery] and thank god because it is a wonderful tool, but there is an element of everything you are looking at has been created in the comfort of a studio. I want to return to a world where I can celebrate when you are really interacting with the world.
The Egyptians saw the sun and called him Ra, the Sun God. He rode across the sky in his chariot until it was time to sleep. Copernicus and Galileo proved otherwise, and poor Ra lost his divinity.
Punk was such an exciting time because there were no rules. You could go and knock on Sun Ra's door - and he was in the phonebook, under Ra!
Kobe's footwork I'm a huge fan of because he prides himself on that and I feel like that's an important piece to the game - having the proper footwork and the strength, and just knowing where you are on the floor by just looking at the floor.
A good coach will come in ra, ra, ra and rejig the whole set-up. That might work for a year or 18 months but isn't sustainable. A great coach has the ability to get the best out of his players without the ra, ra, ra stuff.
Different cats don't like certain litter. They also don't like an unstable floor, no animal like's unstable floor. So if you put a thin piece of plastic down under a litter box and the cat walks on it and starts to slip, they don't like that. Any animal doesn't like an unstable floor.
The magic can happen in a studio. Special things can happen in a recording studio, even though it may seem like a clinical environment from the outside looking in.
The slow boat-I know it's the slow boat because I've been watching them for thirty-three weeks-won the first piece by a full length. Then the fast boat won the second piece. And so it went for the next four pieces, back and forth. Conclusion: I hate seat racing.
I function better in the jungle in Amazonia or Antarctica or Alaska or the Sahara desert. An artificial environment like a studio has never attracted me. I could work in a studio, but I would never really feel at home.
When fans come to me, and they say, 'You're my favorite singer in rock music,' and I go, 'What about Steven Tyler?' 'No, I like you better.' 'What about Robert Plant?' 'I like you better.' That's kind of weird to me, because I'm like, 'No, dude - Steven Tyler and Robert Plant are gods.'
I like rock music because it's always sonically fascinating. There's never a method to what it needs to sound like. It's just however that instrument comes out that day, whatever the humidity level was in the air, what studio you were at. All that makes that tone that you can't re-create, so each song is like a person.
Gods? Don't let that impress you. Anyone can be a god if they have enough worshippers. You don't even have to have powers anymore. In my time I've seen theatre gods, gladiator gods, even storyteller gods - you people see gods everywhere. Gives you an excuse for not thinking for yourselves. God is just a word. Like Fury. like demon, Just words people use for things they don't understand. Reverse it and you get dog. It's just as appropriate.
I don't use any real vintage hardware any longer. That's always been the object as far as gaining control of the studio environment, going back to when I built my first studio, Secret Sound, in New York City. The whole point was to not have to pay studio bills anymore and not be looking at the clock.
We stepped back and looked at the king of the gods, slumped in his chair snoring, and cradling his crook like a teddy bear. I placed the war flail across his lap, hoping it might make a difference—maybe complete his powers or something. No such luck. "Sick weasels," Ra muttered. "Behold," Sadie said bitterly. "the glorious Ra.
I'm aware of Yusef Lateef and Sun Ra and John Coltrane. My music cup runneth over. I try to encourage people: don't cut anything off, don't limit yourself. Give it a good listen: you might find something in that goofy Sun Ra noise, that dissonance. Before I learned 'official musicality' - which you should avoid at all costs - I listened to some Sun Ra and Yusef Lateef and John Coltrane and that's where 'Journey to the Center of the Mind' came from. When you intentionally and aggressively pursue musical communication with those powerfully impactful musical geniuses, you will pick up something.
Could God exist if nobody else did? No. That’s why gods are very avid for worshipers. If there is nobody to worship them, there are no gods. There are as many gods as there are people thinking about God. In choosing your god, you choose your way of looking at the universe. There are plenty of Gods. Choose yours. The god you worship is the god you deserve.
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