A Quote by Georg Baselitz

In a place like the Guggenheim, I would like to be a representative of arte povera. This would be my ideal. — © Georg Baselitz
In a place like the Guggenheim, I would like to be a representative of arte povera. This would be my ideal.
I would like to get out to the region in the Caspian sea. I would like to go there. I would like to get to Darfur. I would like to get to Khartoum in Northern Sudan. I would like to get to Zimbabwe. I would like to go back to North Korea, if I could. I would like to go to Yemen. I would like to get to Kashmir. Most of those destinations I will get to.
Do nothing that you would not like God to see. Say nothing you would not like God to hear. Write nothing you would not like God to read. Go no place where you would not like God to find you. Read no book of which you would not like God to say, "Show it to Me." Never spend your time in such a way that you would not like to have God say, "What are you doing?
By arts, sails, and oars, ships are rapidly moved; arts move the light chariot, and establish love. [Lat., Arte citae veloque rates remoque moventur; Arte levis currus, arte regendus Amor.]
I would like to think that television would be representative of the world we live in.
I was in a group show at a museum in Torino, a lot of American artists installed in a floor of this museum. Another floor of the museum houses the most refined collection of arte povera in the world, which is perfectly selected and perfectly installed. I remember being struck by the contrast between the Italian works and the American. I would say the hallmarks of the Italian style are a poetical connection to nature and to materiality, materials, and exquisite taste. On contrast, the American work was essentially a bunch of bad-tempered, complaining kids.
Would you like to watch TV or get between the sheets and contemplate this violent freeway, would you like something to eat would you like to learn to fly would ya, would you like to see me try
For myself, I like a universe that, includes much that is unknown and, at the same time, much that is knowable. A universe in which everything is known would be static and dull, as boring as the heaven of some weak-minded theologians. A universe that is unknowable is no fit place for a thinking being. The ideal universe for us is one very much like the universe we inhabit. And I would guess that this is not really much of a coincidence.
I am not the representative of guerrilla in this hemisphere. I would say that the representative would be Fidel Castro which was the leader of our revolution and who had the most outstanding role in the direction of the revolutionary struggle and directs the strategy of the Cuban government.
I love Lee Ann Womack and John Prine. That's kind of my ideal cross point. If I can sing it like Lee Ann would and say it like John would, then I feel like I've gotten somewhere.
The ideal would be to have a career like Meryl Streep's or Kate Winslet's. It's just unbelievable how they manage to make such incredible choices one after the other. If you could have a career anything like that, then that would be a great thing.
I would like my work to be recognized as being in the classical tradition (Coptic, Egyptian, Greek, Chinese), as representing the Ideal in the mind. Classical art cannot possibly be eclectic. One must see the ideal in one's own mind. It is like a memory - an awareness -of perfection.
My father would always tell me that creativity didn't matter at the diner. When I was probably 14 or 15, I would put - I mean, it was a no-nonsense place - but I would try to put a sprig of parsley or orange curl on the omelets, or something like that. He'd be like "Don't do that!"
Those that would say Satanist would like to kill animal's, sacrifice animals I would say they would make ideal animal sacrifices, I love animals and animals have always been part of me.
I think I would cope like anyone copes with any tragedy. I'm sure I would be very upset for a while and then there would come a point where I would either have to stay in this place of darkness and anger, or I'd have to accept that it happened.
I would love to make a film about aging that would take place before the war. It would follow the stages in the life of a woman who would not have at her disposal the resources of today like cosmetic surgery, creams and pills.
What if I could just focus on fighting? What would that be like? What would it be like to take advantage of all the resources this place has to offer? Because you're not doing it when you're cutting weight all the time.
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