A Quote by Georg Baselitz
I don't know who made up this sort of greatest-hits list for artists. If one artist isn't moving forward anymore, then it's assumed another one is going to take their place. With Francis Bacon's death, a whole genre of art died.
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I'm attracted to the work of younger artists, and it's affordable compared to mature art, so you can take a chance much easier on a younger artist. I can't say that I've found an artist who I think is going to be the next Bacon or Warhol. You shouldn't have to do that really. You go forward, and you find something new.
I'm kind of loath to pick one project over another or whatever. You go into every film sort of thinking it'll be your best work, and that's necessary. I think in this business, you really have to be forward-looking the whole time. I think nostalgia is sort of the death knell for any artist.
When you know your work sells, then seeking a gallery or outdoor show is fine. Then, if an event or art gallery kicks sand in your face don't give up, keep moving forward. Use your brain and eliminate a lot of your personal agony. There are times when you should not take NO for an answer. But there are others when you should never put yourself in the place to be rejected to begin with. Seek the wisdom to know the difference and then go for it. Persevere in the face of disappointment.
I like Francis Bacon best, because Francis Bacon has terrific problems, and he knows that he is not going to solve them, but he knows also that he can escape from day to day and stay alive, and he does that because his work gives him a kick.
Through my friend Tony Shafrazi, who's an art dealer and an artist himself - he helped to show Basquiat and Keith Haring, and has worked with the Francis Bacon estate - it was really through my friendship with Tony that I developed even more of an interest in art.
I want to stay in the writing long enough to become a falling star of the up-and-coming genre, then a has-been known only by collectors, and finally a rediscovered artist who is finally recognized as a creative giant misunderstood in his own time. Then forgotten again. But if I get removed from the list, it'll probably be because there are just too many damn good writers out there, and any poll of some assortment of editors is going to come up with an equally valid, equally varied list.
[Eugene] O'Neill made a living, certainly, at least. But each of these forms have sort of died the death in turn, and it's a simple fact of that universe that talent then migrates away from these forms, and then the amateurs get in, like lunatics in the ruins, sort of pretending to be artists. If you're ambitious enough to want to be a writer to begin with, you want to be a writer in some circumstances where there are rewards, where there's notice, where you don't have to be a teacher, and where you're frankly not nuts for wasting your time.
If you want to be an artist, you have to know that art is an ongoing practice, that you're part of a long line. Take this test: if someone offered you a billion dollars, but you could never draw another illustration or write another word, would you take it? If you reject it, you need to find another way to pay the bills, but you're still an artist.
My mother's an artist. My father was an artist and so I assumed that was normal growing up in art and the art world and spending our time around the world seeing art, experiencing things. It was great.
Growing up, I think I always had a sense of art: a sense that there was poetry in the world. I didn't know where I was going to find it. I didn't know where I was going to fit in, that was for sure. But I kept moving forward. There wasn't a future in anything other than movement.
Look at all the stuff the Existentialists did. You can start with [Pablo] Picasso, you know, and then Francis Bacon and other guys like that. What they were doing is depicting suffering. And that's exactly what a demon is, he's pretending that he isn't. So he can get more people down there. You know, misery loves company, that's the whole thing. So that's basically the pitch that I'm working on.
It’s best not to experiment on yourself. Bacon practically froze himself to death in one of his experiments and died of pneumonia.” {Right! Bacon must be heated. Knew that already, but thanks for the reminder.}
I do love science fiction, but it's not really a genre unto itself; it always seems to merge with another genre. With the few movies I've done, I've ended up playing with genre in some way or another, so any genre that's made to mix with others is like candy to me. It allows you to use big, mythic situations to talk about ordinary things.
The greatest mystery in life is not life itself, but death. Death is the culmination of life, the ultimate blossoming of life. In death the whole life is summed up, in death you arrive. Life is a pilgrimage towards death. From the very beginning, death is coming. From the moment of birth, death has started coming towards you, you have started moving towards death.
I grew up in an artists community in New York, in a building that was government-subsidised for artists. No one made any money, but they made art for the sake of art.
I grew up in an artists' community in New York, in a building that was government-subsidised for artists. No one made any money, but they made art for the sake of art.
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