A Quote by Georg Baselitz

I would say for everyday I build buildings or houses like a bricklayer with canvas and paint. — © Georg Baselitz
I would say for everyday I build buildings or houses like a bricklayer with canvas and paint.
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
I get to experiment with a lot of looks with my character so that's really fun for me. It's like getting to paint a new canvas everyday.
When I started my own practice, I was criticized, not because I was doing product design but because, like Le Corbusier, I was insisting on paintings in all of my buildings. I would paint wall murals in the houses that I designed, just as he did in the '20s and '30s.
I would say - and paint doesn't peel unless it's acrylic paint, so maybe it is acrylic paint that they're using, not oil paint. So let me say yes, it would be acrylic house paint, which, when it dries, peels very nicely. So let's go with that.
The only other thing that interested me as a kid was being a bricklayer. So if I hadn't become an actress, I would probably be a bricklayer.
I paint on the ground. I paint with sticks, with big paint cans, and whatever else falls in it. Basically, what I'm doing is capturing unbridled emotion and putting it on canvas. It's like capturing lightning in a bottle.
Imagine a master painting that's never finished...when you can only build on previous work, you become limited by what you can paint...If you are in the midst of painting a forest full of tall tress and hanging vines, it is rather difficult to wake up the next day and suddenly turn that paining into the beach and ocean...We have to treat each day like a black canvas on which we can paint. Yesterday might have been paining flowers, but today you can paint cars or horses. A new day represents a chance for renewal.
If in a city we had six vacant lots available to the youngsters of a certain neighborhood for playing ball, it might be "development" to build houses on the first, and the second, and the third, and the fourth, and even the fifth, but when we build houses on the last one, we forget what houses are for.
I don't do casinos or prisons; I like to do projects that enhance the lives of everyday people, like campus buildings, libraries, museums and government buildings. That's why I love working in the public sector.
If I were a painter, I would paint beautiful bodies - I would paint nipples, and I would paint Bibles. Am I going to say, 'I'm not going to paint this woman's neck because people will think I just want to lick on necks?' Please! That's not what art is about.
Life in itself is an empty canvas; it becomes whatsoever you paint on it. You can paint misery, you can paint bliss. This freedom is your glory.
There's no doubt in my mind over the next 25 years how we drive, how we build our houses, how we fly, how we build our buildings, will all change.
I think we're all born with this huge canvas in front of us and the paintbrushes and the paint, and we choose what to put on this canvas.
I wanted to be an architect. I used to draw houses and buildings and construct buildings on my own.
... a canvas that I have covered is worth more than a blank canvas. My pretensions go no further; that is my right to paint, my reason for painting.
Most of the paint I use is a liquid, flowing kind of paint. The brushes I use are more a sticks rather than brushes – the brush doesn’t touch the surface on the canvas, it’s just above [so] I am able to be more free and to have greater freedom and move about the canvas, with greater ease.
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