A Quote by Georg Baselitz

What I could never escape was Germany, and being German. — © Georg Baselitz
What I could never escape was Germany, and being German.
The Haavara agreement allowed the escape of well-to-do German Jews in exchange for the liquidation of their property and the purchase and export of German goods to break the boycott of Germany's Nazi-controlled economy.
The larger the German body, the smaller the German bathing suit and the louder the German voice issuing German demands and German orders to everybody who doesn't speak German. For this, and several other reasons, Germany is known as 'the land where Israelis learned their manners'.
I can say to the German people that the United States has been good for Germany. Has looked out for Germany. Has provided security for Germany. Has helped rebuilt Germany. And unify Germany.
I never felt that although we were based in Germany, Puma was and should be considered as a German brand. So we restructured it in a way that positioned us as a global brand, with English being the corporate language, rather than us looking at it from a German perspective.
I feel German, that's for sure. I grew up in Germany, I went to school in Germany and most of my friends are there. I play for Germany.
I am not the German Tony Blair. Nor am I the German Bill Clinton. I am Gerhard Schroeder, chancellor of Germany, responsible for Germany. I don't want to be a copy of anyone.
I'm third generation. I was born in Germany, grew up in Germany, and many of my friends are German. I love playing for Germany. I'm proud I can play for the national team.
When Thomas Mann arrived in California from Germany, they asked him about German literature. And he said, 'German literature is where I am.' It's really a bit grand, but if a German can afford it, I can afford it.
It was very interesting, and we went to Germany and we toured Germany like we were a German band in 1985.
Berlin is like being abroad in Germany. It's German, but not provincial.
I was born in Germany, grew up in Germany, and when I was becoming a professional footballer, I felt like a German.
In the late '70s I was asked to sing for the first time in Germany. I'll never forget it. It was at a festival in Bremen. The German audience went berserk and the reviews were a phenomenon. For some reason the German audience understood how technically challenging this music was; it wasn't just someone yelling their head off.
As far as I know, the question of whether and how it could be strategically or morally justified was never the subject of open debate in Germany after 1945, no doubt mainly because a nation which had murdered and worked to death millions of people in its camps could hardly call on the victorious powers to explain the military and political logic that dictated the destruction of the German cities.
I had the luck with Germany. If they hadn't allowed us to come in I don't know where we would've gone or where we could go. I never ask about that. My mum said: 'Germany is our second home' and it's true. Germany gave us their open hands.
I grew up in Germany for a little while, and all my German friends said that Seattle, weather and energy-wise, is a lot like West Germany. It's true.
All German painters have a neurosis with Germany's past: war, the postwar period most of all, East Germany. I addressed all of this in a deep depression and under great pressure. My paintings are battles, if you will.
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