A Quote by Georg Baselitz
Women don't paint very well. It's a fact. There are, of course, exceptions. Agnes Martin or, from the past, Paula Modersohn-Becker.
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Who is Hunter Becker?" "Becker the Gory? Lighthouse Keepers? Boston?" "I would've preferred Becker the Easiley Surrendering or Becker the Quite Reasonable, but beyond that his name tells me nothing.
Agnes Martin is a big influence in my work actually, when I first saw her, these fine grids.
Of course you will say that I ought to be practical and ought to try and paint the way they want me to paint. Well, I will tell you a secret. I have tried and I have tried very hard, but I can't do it. I just can't do it! And that is why I am just a little crazy.
Every principle of liberty enunciated in any civilised country on earth, with very few exceptions, was intended entirely for men, and when women tried to force the putting into practice of these principles, for women, then they discovered they had come into a very, very unpleasant situation indeed.
Every principle of liberty enunciated in any civilized country on earth, with very few exceptions, was intended entirely for men, and when women tried to force the putting into practice of these principles, for women, then they discovered they had come into a very, very unpleasant situation indeed.
If you're a painter, paint. But you don't have to put Jesus in every picture. Paint well, and if you paint well enough, they might ask you why you do that.
Of course I party. Of course I go chase girls. Again, for me, balance is important. One hundred per cent, my work goes first. Martin Garrix is my main priority. But to maintain Martin Garrix, I have to enjoy my downtime.
I foresee it and yet I hardly ever carry it out as I foresee it. It transforms itself by the actual paint. I don't in fact know very often what the paint will do, and it does many things which are very much better than I could make it do.
In discussing these exceptions from the course of nature, the first question is, whether the fact be justly stated. That which is strange is delightful, and a pleasing error is not willingly detected.
I love paint. I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
I doubt if Dickens did, especially his women-his pretty women-Mrs. Dombey, Florence, Dora, Agnes, Ruth Pinch, Kate Nickleby, little Emily-we know them all through Hablot Browne alone-and none of them present any very marked physical characteristics. They are sweet and graceful, neither tall nor short; they have a pretty droop in their shoulders, and are very ladylike; sometimes they wear ringlets, sometimes not, and each would do very easily for the other.
I'm saying with very few exceptions nothing lasts forever, and among those exceptions, no work or thought of man is numbered.
I like watercolours. I like acrylic paint... a little bit. I like house paint. I like oil-based paint, and I love oil paint. I love the smell of turpentine and I like that world of oil paint very, very, very much.
Martin [Campbell] is very energetic and precise. He'll on the set like four hours early with a flashlight and I thought, well, I'll certainly try to be very neat about my script like Martin, which I wasn't, but I'm not going to do that bit with the 4AM and the flashlight. I'd love to be able to say I was nervous, but I wasn't. The only time I ever had anxiety it turned out to be asthma.
With almost no exceptions, art by men is much more expensive than art by women. Even great women artists, like Louise Bourgeois and Lee Krasner, are only fully embraced very late in their career.
Agnes Darling, if such should be we never meet again, while firing my last shot, I will gently breathe the name of my wife - Agnes - and with wishes even for my enemies I will make the plunge and try to swim to the other shore.
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