A Quote by Georg Brandes

But I did not find any positive inspiration in my studies until I approached my nineteenth year. — © Georg Brandes
But I did not find any positive inspiration in my studies until I approached my nineteenth year.
We wanted to do a sequel with Jim and Jeff. They said that the word was that Jim didn't want to do any sequels. We approached him and he said he would do it, but not until next year. New Line said it was too long to wait.
Of course, a psychologist would find it more direct to study the inspired poet. He would make concrete studies of inspiration in individual geniuses. But for all that, would he experience the phenomena of inspiration? His human documentation gathered from inspired poets could hardly be related, except from the exterior, in an ideal of objective observations. Comparison of inspired poets would soon make us lose sight of inspiration.
Prior to 2015, I had kind of approached every year like, 'Let's hope for the best.' I always made these year-end videos with 100 things I did, and it would kind of build itself up throughout the year. When this year started, it was like I knew the 100 things before I even got to do them.
I didn't write much until I turned 40. Up until then I felt constrained by a sense of the discipline of New Testament studies and a sense of the ruling elite in theology and biblical studies.
A review of seventy-four clinical trials of antidepressants, for example, found that thirty-seven of thirty-eight positive studies [that praised the drugs] were published. But of the thirty-six negative studies, thirty-three were either not published or published in a form that conveyed a positive outcome.
A muse is something that serves a poet well early in his or her career. In later years one writers out of one's own driven inspiration. One learns to find inspiration rather than waiting for it to come for a visit. I can find inspiration almost anywhere.
I find that people today tend to use them interchangeably. I use African-American, because I teach African Studies as well as African-American Studies, so it's easy, neat and convenient. But sometimes, when you're in a barber shop, somebody'll say, "Did you see what that Negro did?" A lot of people slip in and out of different terms effortlessly, and I don't think the thought police should be on patrol.
Of course, like any woman, I look in the mirror and think, 'Oh, wouldn't I look better with a bit of Botox?' But you've got to find comfort in your own skin. I've watched women stretch themselves year after year until their faces are no longer recognisable.
Little by little, not without astonishment, I rediscovered the great names of the eighteenth and nineteenth centuries, who had been the master thinkers of my grandfather and other Mexican liberals. They did no offer me a doctrine or a catechism: they were and they are a source, an inspiration.
I did not find my studies particularly enthralling.
I'm a lucky, lucky man. I mean, the people I surround myself with are so inspiration. They're so motivational and they're so dynamic and positive. You really can't stop that positive force when everything and everyone around you is so positive.
Up until the final decade of the nineteenth century, the United States and the United Kingdom did not recognize copyright in each other's creative works.
Abolitionism did not find positive response in Africa as it did in Western societies and cultures.
Inspiration comes from within yourself. One has to be positive. When you're positive, good things happen.
When I founded the party in 1966, I had just turned 24.And each year, no, not each year, each day I live I've gained new experiences. Now the criticism is not to say the party did not play a positive part in those times, but, in order to be objective, we did not accomplish the things we set out to accomplish.
I'm a big believer in the power of visualizations. And so are neuroscientists. Numerous studies have proven how merely imagining positive circumstances sends blood flowing from negative brain regions to positive ones.
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