A Quote by Georg C. Lichtenberg

Bad writers are those who try to express their own feeble ideas in the language of good ones. — © Georg C. Lichtenberg
Bad writers are those who try to express their own feeble ideas in the language of good ones.
Fiction writers learn about the development of metaphor, the use of rhythm, the way that language is compacted in order to express the feelings of - express their own feelings and the feelings of their characters.
Everyone has their own sound, and if you're heard enough, folks will come to recognize it. Style however, is a different thing. Try to express your own ideas. It's much more difficult to do, but the rewards are there if you're good enough to pull it off.
There is this thing called the university, and everybody goes there now. And there are these things called teachers who make students read this book with good ideas or that book with good ideas until that's where we get our ideas. We don't think them; we read them in books. I like Utopian talk, speculation about what our planet should be, anger about what our planet is. I think writers are the most important members of society, not just potentially but actually. Good writers must have and stand by their own ideas.
What is music? Music is language. A human being wants to express ideas in this language, but not ideas that can be translated into concepts.
A feeble executive implies a feeble execution of the government. A feeble execution is but another phrase for a bad execution; and a government ill executed, whatever may be its theory, must be, in practice, a bad government.
I make charts of songs that are good candidates, good targets, so to speak. Then I try to come up with ideas for parodies. And 99% of those ideas are horrible.
I play with language a great deal in my poems, and I enjoy that. I try to condense language, that is, I try to express complicated but I hope real emotions as simply as possible. But that doesn't mean the poems are simple, just that they are as truthful as I can make them.
There's no such thing as good ideas and bad ideas. There are only your own ideas and other people's. If you want someone to like your idea, tell him he said it first last week and you just remembered it.
Language is the primary way we communicate with each other, and we have really strong feelings about what words mean, and about good language and bad. Those things are really based on sort of an agglutination of half-remembered rules from high school or college, and our own personal views on language and the things we grew up saying, the things we grew up being told not to say.
When you see evil do not form ideas that are in the likeness of that evil; do not think of the evil as bad, but try to understand the forces that are back of that evil—forces that are good in themselves, though misdirected in their present state. By trying to understand the nature of the power that is back of evil or adversity, you will not form bad ideas, and therefore will feel no bad effects from experiences that may seem undesirable. At the same time, you will think your own thought about the experiences, thereby developing the power of the master mind.
There are good writers and bad writers. It's hard to find writers who really speak to you, but the work is out there.
The answer to the question "where do good ideas come from" is always the same, the come from bad ideas. If you come up with 20 bad ideas you get one good one.
Mathematicians may flatter themselves that they possess new ideas which mere human language is as yet unable to express. Let them make the effort to express these ideas in appropriate words without the aid of symbols, and if they succeed they will not only lay us laymen under a lasting obligation, but, we venture to say, they will find themselves very much enlightened during the process, and will even be doubtful whether the ideas as expressed in symbols had ever quite found their way out of the equations into their minds.
All good writers express the state of their souls, even (as occurs in some cases of very good writers) if it is a state of damnation.
Those who use language and have nothing but language to express themselves live in a cage that cannot feel comfortable.
What we try to do in TSAW, which is Tasha Smith Actors Workshop, is to help the actor get to the core of who they really are and how they really feel. So, we may have them do a dump, where you just basically express everything that you feel that you have not been able to express, whether it's good, bad, or ugly.
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