A Quote by Georg Wilhelm Friedrich Hegel
Consequently, the sensuous aspect of art is related only to the two theoretical sensesof sight and hearing, while smell, taste, and touch remain excluded.
Related Quotes
There are four Powers: memory and intellect, desire and covetousness. The two first are mental and the others sensual. The three senses: sight, hearing and smell cannot well be prevented; touch and taste not at all.
I collect my tools: sight, smell, touch, taste, hearing, intellect. Night has fallen.
Sight is by much the noblest of the senses. We receive our notices from the other four, through the organs of sensation only. We hear, we feel, we smell, we taste, by touch. But sight rises infinitely higher. It is refined above matter, and equals the faculty of spirit.
Smell and taste differentiate, whereas language, like sight and hearing, integrates.
The empathic understanding of the experience of other human beings is as basic an endowment of man as his vision, hearing, touch, taste and smell
I would meet you upon this honestly. I that was near your heart was removed therefrom To lose beauty in terror, terror in inquisition. I have lost my passion: why should I need to keep it Since what is kept must be adulterated? I have lost my sight, smell, hearing, taste and touch: How should I use them for your closer contact?
The senses are a kind of reason. Taste, touch and smell, hearing and seeing, are not merely a means to sensation, enjoyable or otherwise, but they are also a means to knowledge - and are, indeed, your only actual means to knowledge.
In love, for example - the so-called love - we are 'related.' We appear to be related. We create the fallacy of a relationship, but in fact we are just deceiving ourselves. The two will remain two. Howsoever near, the two will remain two. Even in sexual communion they will be two. This two-ness, this duality will never last. So a relationship is only creating a fallacious oneness. It is not there. Oneness can never exist between two selves. Oneness can only exist between two no-selves.
Good and Evil are names that signify our appetites and aversions, which in different tempers, customs, and doctrines of men, are different: And diverse men differ not only in their judgment, on the senses of what is pleasant and unpleasant to the taste, smell, hearing, touch, and sight, but also of what is conformable, or disagreeable to Reason, in the actions of the common life. Nay, the same man, in diverse times, differs from himself, and one time praiseth, that is, calleth Good, what another time he dispraiseth, and calleth Evil.
Organismic awareness is awareness of the Present only - you can't taste the past, smell the past, see the past, touch the past, or hear the past. Neither can you taste, smell, see, touch or hear the future. In other words, organismic consciousness is properly timeless, and being timeless, it is essentially spaceless.
my mind is a big hunk of irrevocable nothing which touch and taste and smell and hearing and sight keep hitting and chipping with sharp fatal tools in an agony of sensual chisels i perform squirms of chrome and ex -ecute strides of cobalt nevertheless i feel that i cleverly am being altered that i slightly am becoming something a little different, in fact myself hereupon helpless i utter lilac shrieks and scarlet bellowings
I do not believe there is any such sixth sense. A man with a good sense of direction is, to me, quite simply an able pathfinder - a natural navigator - somebody who can find his way by the use of the five senses (sight, hearing, taste, smell and touch - the senses he was born with) developed by the blessing of experience and the use of intelligence. All that pathfinder needs is his senses and knowledge of how to interpret nature's signs.
Odors have an altogether peculiar force, in affecting us through association; a force differing essentially from that of objects addressing the touch, the taste, the sight or the hearing.
If you want to get into the shoes of someone, it's not just about seeing and hearing. It is also about what you touch and what you smell. Smell is so specific and so powerful. And this is the beauty of immersive theatre - it's something you cannot get in any other art form. I think this is the real future for theatre.
Hula is the art of Hawaiian dance, which expresses all we see, smell, taste, touch, feel, and experience. It is joy, sorrow, courage, and fear.
The artist brain is the sensory brain: sight and sound, smell and taste, touch. These are the elements of magic, and magic is the elemental stuff of art. In filling the well, think magic. Think delight. Think fun. Do not think duty. Do not do what you should do-spiritual sit-ups like reading a dull but recommended critical text. Do what intrigues you, explore what interests you; think mystery, not mastery.
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