A Quote by George A. Romero
The grotesque has never really affected or frightened me. I guess it's real-life stuff that frightens me much more.
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So much of 'normal, civilized' life is bull that you can't imagine... What frightens you, doesn't frighten me, what frightens me, you'd laugh at.
I've been a fan since I was a kid of that sort of bump-in-the-night stuff. I don't tend to go in too much for the slash-and-burn-'em or the walker kills on 'The Walking Dead.' That stuff's not necessarily the stuff that frightens me or gets me going. It's more the terror of waiting, the thriller aspects, that I find compelling.
I am frightened by today's world, terrified by it. I think that comes out in the books. I'm afraid of big things. Some of these schools have three thousand kids, and even the size of the schools frightens me. Big government frightens me; so does big defense.
I find that there's so much funny stuff in real life, and I am much more interested in super grounded, real stuff, so now I just want things to feel real and authentic.
I doubt if the texture of Southern life is any more grotesque than that of the rest of the nation, but it does seem evident that the Southern writer is particularly adept at recognizing the grotesque; and to recognize the grotesque, you have to have some notion of what is not grotesque and why.
The green thing I don't think frightens kids. It frightened me when I was like little because I didn't have the internet and didn't have all these other things that were, you know, in front of me at all times and accessible.
The realism frightens me more than the bubble gum-y, heightened stuff.
I am much better employed from every point of view, when I live solely for my own satisfaction, than when I begin to worry about the world. The world frightens me, and a frightened man is no good for anything.
I really hate sitcoms on television with canned laughter and stuff. What really makes me laugh is the real-life stuff. I've got a dry sense of humor.
I grew up in New York City. I went to museums so much as a kid, and I guess I didn't realize how much it affected me.
Having a child as a single mother was a crucible - maybe this is true for all parents. I got rid of so much stuff that didn't really matter in the scheme of things-like throwing stuff out of an airplane that kept me flying too low. What was left was essential, i.e. not a lot of extraneous stuff that had kept me busy and people-pleasing. I just didn't have the luxury of wasting my life force on so much stupidity and distraction. That made me strong.
I don't really listen to a lot of stuff that sounds real similar to me because I work on that kind of music all day. I end up listening to more jazz, stuff that I can't really play.
I am too sick to lay down the sidewalks frighten me the whole damned city frightens me, what I will become what I have become frightens me.
The Green Arrow stuff that I've responded to from the past is the Mike Grell stuff. I've liked a lot of other stuff, but I think for me, the direction and the mood and the tone that I really want is something much darker and more aggressive and really fast-paced action.
I'm in my late 20s, and people are coming around to it again. I think they're realizing how much this stuff affects them. I think all the time about how much Judy Blume affected me, or Beverly Cleary. And I think that now some people are starting to come around and get more of an appreciation for [my stuff].
The only reaction that frightens me is people not laughing. It's extraordinary to me when you get a laugh. That you can go in front of a bunch of people you never met before, you can say some stuff and they all laugh in unison - that's amazing. It's a miracle.
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