A Quote by George Andrews
There is great exhilaration in breaking one of these things. ... Ramanujan gives no hints, no proof of his formulas, so everything you do you feel is your own.[About verifying Ramanujan's equations in a newly found manuscript.]
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The seeds from Ramanujan's garden have been blowing on the wind and have been sprouting all over the landscape.
[On the stimulating effects of Ramanujan's mathematical legacy.]
Sometimes in studying Ramanujan's work, [George Andrews] said at another time, "I have wondered how much Ramanujan could have done if he had had MACSYMA or SCRATCHPAD or some other symbolic algebra package."
... each of the 24 modes in the Ramanujan function corresponds to a physical vibration of a string. Whenever the string executes its complex motions in space-time by splitting and recombining, a large number of highly sophisticated mathematical identities must be satisfied. These are precisely the mathematical identities discovered by Ramanujan.
I read in the proof sheets of Hardy on Ramanujan: "As someone said, each of the positive integers was one of his personal friends." My reaction was, "I wonder who said that; I wish I had." In the next proof-sheets I read (what now stands), "It was Littlewood who said..."
Plenty of mathematicians, Hardy knew, could follow a step-by-step discursus unflaggingly-yet counted for nothing beside Ramanujan. Years later, he would contrive an informal scale of natural mathematical ability on which he assigned himself a 25 and Littlewood a 30. To David Hilbert, the most eminent mathematician of the day, he assigned an 80. To Ramanujan he gave 100.
That was the wonderful thing about Ramanujan. He discovered so much, and yet he left so much more in his garden for other people to discover.
How can anyone say no to be a part in a film like 'Ramanujan?'
Everything, however complicated - breaking waves, migrating birds, and tropical forests - is made of atoms and obeys the equations of quantum physics. But even if those equations could be solved, they wouldn't offer the enlightenment that scientists seek. Each science has its own autonomous concepts and laws.
For my part, it is difficult for me to say what I owe to Ramanujan - his originality has been a constant source of suggestion to me ever since I knew him, and his death is one of the worst blows I have ever had.
Srinivasa Ramanujan was the strangest man in all of mathematics, probably in the entire history of science. He has been compared to a bursting supernova, illuminating the darkest, most profound corners of mathematics, before being tragically struck down by tuberculosis at the age of 33, like Riemann before him. Working in total isolation from the main currents of his field, he was able to rederive 100 years' worth of Western mathematics on his own. The tragedy of his life is that much of his work was wasted rediscovering known mathematics.
If someone points out to you that your pet theory of the universe is in disagreement with Maxwell's equations - then so much the worse for Maxwell's equations. If it is found to be contradicted by observation - well, these experimentalists do bungle things sometimes. But if your theory is found to be against the second law of thermodynamics I can give you no hope; there is nothing for it but to collapse in deepest humiliation.
In the simplest array of digits [Ramanujan] detected wonderful properties: congruences, symmetries and relationships which had escaped the notice of even the outstandingly gifted theoreticians.
They [formulae 1.10 - 1.12 of Ramanujan] must be true because, if they were not true, no one would have had the imagination to invent them.
Poetry at least in my own life, is really about your own mortality. Everything in poetry makes me think of my mortality. It is not a dark thing in life; it prepares you for the graceful things that happen in your life. It gives me a license to make any kind of picture I want with great courage.
Loving oneself isn't hard, when you understand who and what 'yourself' is. It has nothing to do with the shape of your face, the size of your eyes, the length of your hair or the quality of your clothes. It's so beyond all of those things and it's what gives life to everything about you. Your own self is such a treasure.
All writing seems to me worse in the state of proof than in any other form. In manuscript one's own wisdom is rather remarkable to one, but in proof it has the effect of one's private furniture repeated in the shop windows. And then there is the sense that the worst errors will go to press unnoticed!
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