A Quote by George Arnold

What rare days were those, When my chief duty was to write a song. — © George Arnold
What rare days were those, When my chief duty was to write a song.
A song is no song unless the circumstance is free and fine. If a singer sing from a sense of duty or from seeing no way to escape,I had rather have none. Those only can sleep who do not care to sleep; and those only write or speak best who do not too much respect the writing or the speaking.
Every day you can write a song but some days there is just some magic in the air and something special about the catch; other days you write all day on a song line or idea.
I always try to write the best song I can in the moment, and those songs are often going to end up on Death Cab for Cutie records. I don't set out to write a solo song or write a band song. I just write, and where that songs ends up is kind of TBD.
I was one of those guys, you know, playing and singing, and there was no reason for me to write a song, because there were so many beautiful songs out. And Bob Dylan was always the ultimate songwriter, and nobody could ever write a song as good as him, and nobody ever has written a song as good as him.
I think from a major-label perspective, if you were on the flip side of things and that's the world you were used to working in, your interpretation could be, "Oh, they're having trouble writing songs," when really it's like, "No, I'm not ready to write songs, I don't want to write a song right now, if I did write a song, it would be forced."
I can write a song and a thousand people could hear it and there will be countless different reasons why those people get something out of that song. But they're all there for the same reason, which is to enjoy music and to let it help dissolve those problems or those rough days or to give a reason to keep putting the boots on. So to see ideas come to fruition and for someone to get something out of it is a beautiful thing.
I have stood aside to see the phantoms of those days go by me. They are gone, and I resume the journey of my story.’ (David Copperfield) “But all that night he lay awake because the phantoms of those days were not gone. Like the tiny, terrible holes in the prophylactics, the phantoms of those days were not easy to detect—and their meaning was unknown—but they were there.
Sometimes I get in writing moods and I want to write a song every couple of days. Then sometimes I may not write a song for three weeks. It's just according to how it's hitting me at the time.
I don't write poetry for the page because my inclination in that area is satisfied by songwriting. "Ornamental Hermit" was a comparatively effortless song to write, which is rare for me.
I'm one of those people that I make a song... then I write another song and then I'm like, 'But this song is so much better than this song,' and then I kind of ditch that song. It's a long process.
It seems like in the beginning of my flight, the space dreams were rare. And now, almost 150 days into it, the Earth dreams are more of the rare ones.
I am sure that the sad days and happenings were rare, and that I lived the joyous and careless life of other children; but just because the happy days were so habitual to me they made no impression upon my mind, and I can no longer recall them.
It's rare that I'll write lyrics first. If I come up with some good lyrics, I'll write them down and try to use them later. If I come up with a song title, sometimes I'll write a song based on that. Sometimes, I'll make a whole band out of it. I don't really have a process, per se. I just keep going and going and going. Every free minute I have I'm working.
I would say "These Days." It was the title song to an album I put out, and it's really this song that you'll hear throughout the episodes and the season in the show. I write all my music, I'm an independent artist so we do it all in-house and that song embodies exactly what the title says.
A song that sounds simple is just not that easy to write. One of the objectives of this record was to try and write melodies that continue to resonate...Everything that happens to you influences your writing...The writing process for me is pretty much always the same-it's a solitary experience...I have yet to write that one song that defines my career...Beck said he didn't believe in the theory of a song coming through you as if you were an open vessel. I agree with him to a certain extent.
In order to dream so far, is it enough to read? Isn't it necessary to write? Write as in our schoolboy past, in those days when, as Bonnoure says, the letters wrote themselves one by one, either in their gibbosity or else in their pretentious elegance? In those days, spelling was a drama, our drama of culture at work in the interior of a word.
This site uses cookies to ensure you get the best experience. More info...
Got it!